Literary Criticism; an Introductory ReaderLionel Trilling |
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Page 448
... present - day style or movement . It may be even instructive for him to look at a work of art from the point of view of a third time , contemporaneous neither with him nor with the author , or to survey the whole history of the ...
... present - day style or movement . It may be even instructive for him to look at a work of art from the point of view of a third time , contemporaneous neither with him nor with the author , or to survey the whole history of the ...
Page 463
... present . There is no other definition of the present except sensa- tion itself , which includes , perhaps , the impulse to action that would modify that sensation . On the other hand , whatever is properly thought , image , senti- ment ...
... present . There is no other definition of the present except sensa- tion itself , which includes , perhaps , the impulse to action that would modify that sensation . On the other hand , whatever is properly thought , image , senti- ment ...
Page 525
... present which is absolute . One might think that the many interpolations , the frequent moving back and forth , would create a sort of perspective in time and place ; but the Homeric style never gives any such impression . The way in ...
... present which is absolute . One might think that the many interpolations , the frequent moving back and forth , would create a sort of perspective in time and place ; but the Homeric style never gives any such impression . The way in ...
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Common terms and phrases
action admiration Aeschylus aesthetic appears Aristotle artist Balzac beauty become better Byron called century character Comedy conception consciousness culture D. H. Lawrence dramatic effect Eliot emotion English epic Epic poetry essay Euripides existence experience expression F. R. Leavis fact feeling fiction French genius give Greek Homer human I. A. Richards ideas Iliad images imagination imitation intellectual interpretation judgment kind King Lear language less literary criticism literature Matthew Arnold means metaphor mind modern moral myth nature never novel object Odysseus Paradise Lost passions perhaps person philosophical Plato play pleasure plot poem poet poet's poetic poetry present produced prose reader reality reason relation sense Shakespeare social Sophocles soul speak spirit story style T. S. Eliot theory things thought tion tragedy true truth University verse whole words Wordsworth writing