Literary Criticism; an Introductory ReaderLionel Trilling |
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Page 99
... passions are naturally included as belonging to the characters . I speak not of pity and of terror , which are to be moved in the audience by the plot ; but of anger , hatred , love , ambition , jealousy , revenge , etc. , as they are ...
... passions are naturally included as belonging to the characters . I speak not of pity and of terror , which are to be moved in the audience by the plot ; but of anger , hatred , love , ambition , jealousy , revenge , etc. , as they are ...
Page 101
... passions which they produce are ever crossing and jostling each other out of the way . He who treats of joy and ... passions : because it has been proved already that confused passions make undistinguishable characters : yet I cannot ...
... passions which they produce are ever crossing and jostling each other out of the way . He who treats of joy and ... passions : because it has been proved already that confused passions make undistinguishable characters : yet I cannot ...
Page 148
... passions the language of which , if selected truly and judiciously , must necessarily be dignified and variegated , and alive with metaphors and figures . I forbear to speak of an incongruity which would shock the intelligent Reader ...
... passions the language of which , if selected truly and judiciously , must necessarily be dignified and variegated , and alive with metaphors and figures . I forbear to speak of an incongruity which would shock the intelligent Reader ...
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Common terms and phrases
action admiration Aeschylus aesthetic appears Aristotle artist Balzac beauty become better Byron called century character Comedy conception consciousness culture D. H. Lawrence dramatic effect Eliot emotion English epic Epic poetry essay Euripides existence experience expression F. R. Leavis fact feeling fiction French genius give Greek Homer human I. A. Richards ideas Iliad images imagination imitation intellectual interpretation judgment kind King Lear language less literary criticism literature Matthew Arnold means metaphor mind modern moral myth nature never novel object Odysseus Paradise Lost passions perhaps person philosophical Plato play pleasure plot poem poet poet's poetic poetry present produced prose reader reality reason relation sense Shakespeare social Sophocles soul speak spirit story style T. S. Eliot theory things thought tion tragedy true truth University verse whole words Wordsworth writing