Literary Criticism; an Introductory ReaderLionel Trilling |
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Page 123
Lionel Trilling. thought , but was never before so well expressed , " they certainly never attained , nor ever sought it ; for they endeavoured to be singular in their thoughts , and were careless of their diction . But Pope's account of ...
Lionel Trilling. thought , but was never before so well expressed , " they certainly never attained , nor ever sought it ; for they endeavoured to be singular in their thoughts , and were careless of their diction . But Pope's account of ...
Page 205
... never be made ridiculous . Of orna- ments to a work nothing outré1 can be allowed . . but those ornaments can be allowed that conform to the perfect facts of the open air and that flow out of the nature of the work and come ...
... never be made ridiculous . Of orna- ments to a work nothing outré1 can be allowed . . but those ornaments can be allowed that conform to the perfect facts of the open air and that flow out of the nature of the work and come ...
Page 328
... never wets your jacket and gnats never bite your nose and its always daisy - time . As You Like It and Forest Lovers , 1 etc. Morte D'Arthur . Hawthorne obviously isn't this kind of romanticist : though nobody has muddy boots in the ...
... never wets your jacket and gnats never bite your nose and its always daisy - time . As You Like It and Forest Lovers , 1 etc. Morte D'Arthur . Hawthorne obviously isn't this kind of romanticist : though nobody has muddy boots in the ...
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action admiration Aeschylus aesthetic appears Aristotle artist Balzac beauty become better Byron called century character Comedy conception consciousness culture D. H. Lawrence dramatic effect Eliot emotion English epic Epic poetry essay Euripides existence experience expression F. R. Leavis fact feeling fiction French genius give Greek Homer human I. A. Richards ideas Iliad images imagination imitation intellectual interpretation judgment kind King Lear language less literary criticism literature Matthew Arnold means metaphor mind modern moral myth nature never novel object Odysseus Paradise Lost passions perhaps person philosophical Plato play pleasure plot poem poet poet's poetic poetry present produced prose reader reality reason relation sense Shakespeare social Sophocles soul speak spirit story style T. S. Eliot theory things thought tion tragedy true truth University verse whole words Wordsworth writing