Literary Criticism; an Introductory ReaderLionel Trilling |
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Page 150
... knowledge is connected , he feels that his knowledge is pleasure ; and where he has no pleasure he has no knowledge . What then does the Poet ? He considers man and the objects that surround him as acting and re - acting upon each other ...
... knowledge is connected , he feels that his knowledge is pleasure ; and where he has no pleasure he has no knowledge . What then does the Poet ? He considers man and the objects that surround him as acting and re - acting upon each other ...
Page 329
... knowledge . Blood - knowledge , not mind- knowledge . Blood - knowledge , that seems utterly to forget , but doesn't . Blood- knowledge , instinct , intuition , all the vast vital flux of knowing that goes on in the dark , antecedent to ...
... knowledge . Blood - knowledge , not mind- knowledge . Blood - knowledge , that seems utterly to forget , but doesn't . Blood- knowledge , instinct , intuition , all the vast vital flux of knowing that goes on in the dark , antecedent to ...
Page 395
Lionel Trilling. knowledge and historical knowledge . Since poetic knowledge is made available through poetic form , the attempt to assimilate poetic knowledge too directly and abruptly to other kinds of knowledge has its risks . We lose ...
Lionel Trilling. knowledge and historical knowledge . Since poetic knowledge is made available through poetic form , the attempt to assimilate poetic knowledge too directly and abruptly to other kinds of knowledge has its risks . We lose ...
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Common terms and phrases
action admiration Aeschylus aesthetic appears Aristotle artist Balzac beauty become better Byron called century character Comedy conception consciousness culture D. H. Lawrence dramatic effect Eliot emotion English epic Epic poetry essay Euripides existence experience expression F. R. Leavis fact feeling fiction French genius give Greek Homer human I. A. Richards ideas Iliad images imagination imitation intellectual interpretation judgment kind King Lear language less literary criticism literature Matthew Arnold means metaphor mind modern moral myth nature never novel object Odysseus Paradise Lost passions perhaps person philosophical Plato play pleasure plot poem poet poet's poetic poetry present produced prose reader reality reason relation sense Shakespeare social Sophocles soul speak spirit story style T. S. Eliot theory things thought tion tragedy true truth University verse whole words Wordsworth writing