Literary Criticism; an Introductory ReaderLionel Trilling |
From inside the book
Results 1-3 of 73
Page 99
... force , a well - knit body , and active limbs , without which all in- struction would be vain ; yet , these being granted , if he want the skill which is necessary to a wrestler , he shall make but small advantage of his natural ...
... force , a well - knit body , and active limbs , without which all in- struction would be vain ; yet , these being granted , if he want the skill which is necessary to a wrestler , he shall make but small advantage of his natural ...
Page 137
... forces of nature , " we must understand all that is not moral force , all that is not subject to the supreme legislation of reason : that is to say , feelings , affections , instincts , passions , as well as physical necessity and ...
... forces of nature , " we must understand all that is not moral force , all that is not subject to the supreme legislation of reason : that is to say , feelings , affections , instincts , passions , as well as physical necessity and ...
Page 220
... force , so distinct , that amidst the vast deviations which the other two motive forces produce in him , one can recognise it still ; and a race , like the old Aryans , scattered from the Ganges as far as the Hebrides , settled in every ...
... force , so distinct , that amidst the vast deviations which the other two motive forces produce in him , one can recognise it still ; and a race , like the old Aryans , scattered from the Ganges as far as the Hebrides , settled in every ...
Other editions - View all
Common terms and phrases
action admiration Aeschylus aesthetic appears Aristotle artist Balzac beauty become better Byron called century character Comedy conception consciousness culture D. H. Lawrence dramatic effect Eliot emotion English epic Epic poetry essay Euripides existence experience expression F. R. Leavis fact feeling fiction French genius give Greek Homer human I. A. Richards ideas Iliad images imagination imitation intellectual interpretation judgment kind King Lear language less literary criticism literature Matthew Arnold means metaphor mind modern moral myth nature never novel object Odysseus Paradise Lost passions perhaps person philosophical Plato play pleasure plot poem poet poet's poetic poetry present produced prose reader reality reason relation sense Shakespeare social Sophocles soul speak spirit story style T. S. Eliot theory things thought tion tragedy true truth University verse whole words Wordsworth writing