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Ancien et le nouveau Paris (L'), ou Anecdotes galantes et secrètes propres à peindre nos mœurs passées et présentes avec figures. A Paris, chez l'auteur, l'an VII. de la République, 2 parts in 1 vol., 16mo., 2 plates not signed (68.).

ANDELEZ DE MONGAUBET. Abimelhec, tragédie, 1776, 8vo., 1 plate by Helman after Monnet (3s. to 4s.).

Anderson (J.). A Genealogical History of the House of Yvery, in its different Branches of Yvery, Luvel, Perceval and Gourney. London, 1742, 2 vols., roy. 8vo. Privately printed by the first Earl of Egmont, by whom it was principally written; 19 portraits by Faber (18) and Toms (1), and plates. Some copies contain 4 portraits of the Rawdons, but they form no part of the work (£5 to £6, and in old morocco, £9 to £10). Earl of Egmont's two copies in old morocco, £10 10s. and £9 respectively (1898). Anderson (J.). Constitutions of the Antient Fraternity of free and accepted Masons. . . 1784, 4to, frontispiece (30s. to 40s.).

ANDRÉ. Mémoires de Paul Jones, traduits de l'anglais par André. A Paris, chez Louis, an VI. (1798), 12mo., portrait and vignette, not signed (6s. to 8s.).

ANDRÉ. Anecdotes intéressantes et historiques de l'illustre voyageur (Joseph II.) pendant son séjour à Paris; dédiées à la Reine. Paris, 1771, 12mo., pretty frontispiece with portrait of the Comte de Falkenstein (Joseph II.) (10s. to 128.).

An account of the Austrian Emperor Joseph's (brother of Marie
Antoinette) journey to Paris.

Anecdote du jour, ou Histoire de ma débation à la prison de
Paris, an VII., 16mo., 1 pretty plate after Talomand by
Pierron (38.).

Angelo. The School of Fencing. L'Ecole des Armes avec l'explication générale des principales attitudes et positions concernant l'escrime. A Londres, Hooper, 1763 or 1765, oblong fol., 47 plates after Gwyn, engraved by Chamber, Elliot, Grignion, Hall, and Ryland. Text English and French (£3 to £4).

Those copies with the coloured plates of Fencing by Rowlandson, etc., are rare and to be sought for. Reprinted 1787, 4to. and 12mo., oblong with the same plates reduced.

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Angus (W.). The Principal Seats of the Nobility and Gentry in Great Britain and Wales, in a Collection of Select Views engraved by W. Angus, from Pictures and Drawings by the most eminent Masters, with Descriptions of each View. London, 1787-1810, 4to. oblong, 63 plates (£1 10s., and double for proofs).

Lowndes remarks that only recently the copper plates were in existence, and many copies have been struck off under the old date. It is therefore imperative that the impressions should be good, as a test of their originality. Countess of Harborough's copy with proofs and etchings in purple morocco, £3 158. (1887).

ANSEAUME. Les deux Chasseurs et la Laitiére, comédie en un acte. Paris, Duchesne, 1769, 8vo., 6 plates designed by Duclos, and engraved by Auvray, Duclos, Duhamel, Lingée, and Patas (20s. to 25s.).

ANSEAUME. Le Maréchal-Ferrant, opéra-comique en un acte, musique de Philidor, 1767, 8vo., 6 plates after Quéverdo by Thérèse Martinet and Duhamel (20s. to 25s.).

Anstis (J.). The Register of the most Noble Order of the Garter, usually called the Black Book, with Notes and an Introduction. London, 1724, 2 vols., fol., frontispieces and illustrations (18s. to 20s.).

ANTHING. Collection de Cent Silhouettes des Personnes illustres et célèbres, dessinées d'après les originaux par Anthing. Gotha, 1791, 8vo. (£2).

A fleuron after Liebe on the title, and 100 portraits in brown within historiated black borders.

Anti-financier (L'), ou Relevé de quelques unes des malversations dont se rendent coupables les fermiers généraux. Amsterdam, 1764, allegorical frontispiece, not signed (68. to 8s.).

Antiquarian Repertory (The), a miscellany intended to preserve and illustrate several valuable remains of Old Times. London, 1775-84, 4to., plates. Compiled by or under the direction of Francis Grose, Thomas Astle, and other eminent antiquaries (£2 to £3). Reprinted 1807-9 (30s. to 40s., and on large paper, £3).

Antoine Bernard et Rosalie, ou le Petit Candide. Paris, Ancelle, 1796, 16mo., one plate, not signed (3s. to 4s.). Antonin (L'Empereur Marc). Reflexions morales, 1740, 2 vols., 12mo., portrait-frontispiece after Punt (3s.).

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ANTONIN-APULEIUS

Antonin (L'Empereur Marc). Pensées de l'empereur Marc, Aurèle Antonin, traduites du grec par de Joly. Paris, Renouard, 1796, 2 vols. 16mo., portrait engraved by SaintAubin, and a portrait of Joly (8s. to 10s.). Copies on large Dutch paper are worth double.

Antonin (Marc). Réflexions morales de l'empereur MarcAntonin. Paris, Didot jeune, 1800, royal 4to., papier vélin, 2 plates after Moreau, engraved by Simonet and Dambrun (128. to 15s.).

Copies with proofs before letters and the etchings are of rare occurrence. In Morgan's Catalogue a copy in that state with the 2 original drawings by Moreau, 1500 frs.

Antonini (Carlo). Manuale di varii ornamenti tratti dalle fabriche e frammenti antichi per uso, e commodo de Pittori, Scultori, Architetti. . . Opera raccolta, Opera raccolta, disegnata ed incisa da Carlo Antonini, Jn. Roma, 1777-1781, 2 vols. in 1, 4to., frontispiece and 100 plates (£3 to £4).

The subsequent edition of 1781-1790 contains 2 other parts of 65 and 30 plates respectively.

Antrepe (d', Syndic des Experts Jurès Ecrivains). Traité sur les Principes de l'Art d'écrire et ceux de l'écriture, etc. Paris, 1759, folio, plates of caligraphy (15s. to 20s.). Apothéose du beau sexe. Londres, 1741, post 8vo., title in red and black, frontispiece signed P. Qver sc. with the letterpress "la Boîte de Pandora" (3s. to 4s.).

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APULÉE. L'Ane d'or avec le Démon familier de Socrate, traduit en français par Compain de Saint-Martin. Paris, Brunet, 1736, 2 vols., 12mo., frontispiece and 12 plates after Desmaretz, engraved by Thomassin (4s. to 5s.).

APULÉE. Les Métamorphoses ou l'Ane d'or d'Apulée, philosophe platonicien, nouvelle edition (par l'abbé Compain de SaintMartin) orné de figures (Latin text opposite). Paris, Bastien, 1787, 2 vols., 8vo., portrait and 16 plates, reprinted from the edition of 1623, by Crispin de Pas (15s. to 20s.).

APULÉE. Psyches et Cupidinis amores ex Apuleii Metamorphoseon libris excerpti. Paris, Renouard, 1796, 12mo., one plate after Prudhon by Roger (5s. to 6s.), and double with unlettered proofs.

Apuleius. The new Metamorphosis. London, 1724, 2

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AQUIN-ARCHITECTURE

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vols., 12mo., frontispiece by Hogarth, and plates (25s. to 30s.).

AQUIN DE CHATEAU-LYON (P. L. D'). La Pléiade française, ou l'Esprit des sept plus grands poëtes. Berlin and Paris, Duchesne, 1754, 2 vols., 16mo., frontispiece by Sornique after Cochin, and 2 fleurons on the titles (4s. to 5s.).

AQUIN DE CHATEAU-LYON (P. L. D'). Contes mis en vers par un petit cousin de Rabelais. Londres et Paris, Ruault, 1775, 8vo., engraved title with a pretty fleuron, and a beautiful plate by Launay after Eisen (£2). De Tinan copy, relié sur brochure, 145 frs.

Arabesques (Nouvelle Collection d') propres à la décoration des appartements. S.l.n.d. (Paris, imprimerie Crapelet), 4to. This Collection consists of 10 parts of 4 plates each; 1st part has 6 subjects after J. M. Moreau (1) and Lavallée Poussin (5); part 2 has 5 subjects after Lavallée Poussin; part 3 contains 6 subjects after Lavallée Poussin; part 4, 4 subjects; part 5, 5 subjects after the same; part 6, 4 subjects after Voisin; part 7, 4 subjects after Le Clerc; part 8, 8 subjects after Berthelot; part 9, 5 subjects after Berthelot (2) and Le Clerc (3); 10th part, 4 subjects after Jeanneret. These 52 subjects on 40 leaves are all engraved by Guyot (£3).

Arcère. Histoire de la Ville de La Rochelle et du

pays d'Aulins, composée d'après les auteurs et les titres originaux et enrichie de divers plans. La Rochelle, chez René-Jacob Desbordes, et Paris, chez Durand, 1756-57, 2 vols., 4to., plans and plate by Le Mire (15s.).

Archdall (M.). Monasticon Hibernicum, or, an History of the Abbies, Priories and other Religious Houses in Ireland. Dublin, 1786, 4to., map and 18 plates of costume (20s. to 258.). Architecture. The Grecian Orders of Architecture, delineated and explained from the Antiquities of Athens, also Parallels of the Orders of Palladio, Scammozzi, and Vignola, to which are added Remarks concerning public and private Edifices, with Designs. London, 1768, folio (25s.). Architecture. Rudiments of ancient Architecture, with a Dictionary of Termes. London, 1789, roy. 8vo., portrait of James Stuart on title, and 10 plates (5s.).

Second edition, much enlarged, 1794.

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ARCHITECTURE-ARÉTIN

Architecture. Essays on Gothic Architecture, by the Rev. T. Warton, Rev. J. Bentham, Captain Grose, and the Rev. J. Milner. London, 1798, 8vo., 12 plates (5s.).

Second edition, to which is added a List of the Cathedrals of England, with their Dimensions, 1802, 8vo.

ARCONVILLE (Mme. d'). Des Passions, par l'auteur du Traité de l'Amitié. Londres (Paris), 1764, 8vo., one fleuron and 1 tailpiece by Tardieu after Tarsis, and 2 plates, not signed (8s. to 10s.).

ARCONVILLE (Mme. d'). De l'Amitié. Amsterdam et Paris, Dessaint et Saillant, 1761, 8vo., 1 plate by Lempereur (68. to 7s.).

Reprinted 1764.

ARCONVILLE (Mme. d'). Avis d'un père à sa fille, par le Marquis d'Halifax, traduit de l'anglais (par la présidente d'Arconville). Londres (Paris, 1756), 12mo., 1 pretty plate by Tardieu after Gravelot, and 2 tailpieces after Tarsis by Tardieu (38.).

ARCQ (D'). Le Palais du silence, contes philosophiques, Amsterdam, 1711, 16mo., frontispiece signed Fritzch (88. to 10s.).

Reprinted 1755.

ARDÈNE (Le Père D.). Traité des Renoncules, etc.

Paris,

1766, 8vo., frontispiece by Audran, after Lesueur, 1 vignette and 6 large plates (8s. to 10s.).

Arend (H. K.). Das Gedechnisz des . . . Albert Durers

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Goszlar, 1728, 12mo., fine portrait of Albert Durer by
Wolffenbitte after Kenauer (5s.).

Arétin de la Révolution (L'). Paris, 1790, sm. folio, printed title and 50 numbered plates without signature (£12 to £16).

The ill-fated royal family and the clergy were aimed at in these plates, in which depravity has reached its climax. Happily the collection is of the utmost rarity, if not unobtainable. The colouring is by hand. Arétin d'Auguste Carrache (L') ou, Recueil de postures érotiques, d'après les gravures à l'eau-forte de cet artiste célèbre, avec un texte explicatif des sujets (par Croze-Magnan). A la Nouvelle Cythère (Paris, P. Didot), 1798, roy. 4to. 20 plates, by Coiny.

From the artistic point of view, it is the best illustrated book of its kind; rare, particularly with the plates, in proofs before letters (£16 to £20). Pixerécourt's copy, morocco, by Bozérian, sold for 220 frs., and

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