Yet when at last thy toils, but ill apaid, Shall dead thy fire, and damp its heavenly spark, There to indulge the Muse, and Nature mark; And now with well-urged sense th' enlightened judgment takes. A bard here dwelt, more fat than bard beseems,† On Virtue still, and Nature's pleasing themes, Full oft by holy feet our ground was trod; * Quin, the actor. Thomson himself. All but the first line of this stanza is under stood to have been written by a friend. The Rev. Mr. Murdoch, the poet's first biographer. And shone all glittering with ungodly dew, If a tight damsel chanc'd to trippen by; Which when observ'd, he shrunk into his mew, And strait would recollect his piety anew. Nor be forgot a tribe who minded naught Here languid beauty kept her pale-fac'd court: To knot, to twist, to range the vernal bloom; Their only labor was to kill the time; They sit, they loll, turn o'er some idle rhyme, Now must I mark the villany we found; For of these wretches taken was no care; *Alas! the change! from scenes of joy and rest, And taught withouten pain and strife to yield the breath. Of limbs enormous, but withal unsound, For still he drank, and yet he still was dry. And some her frantic deem'd, and some her deem'd a wit. A lady proud she was, of ancient blood, Yet oft her fear her pride made crouchen. low; * These four concluding stanzas of Canto I, were written by Armstrong. She felt, or fancied, in her fluttering mood, For sometimes she would laugh, and sometimes cry, Then sudden waxed wroth, and all she knew not why. Fast by her side a listless maiden pin'd, With aching head, and squeamish heart-burnings; Pale, bloated, cold, she seem'd to hate mankind, Yet lov'd in secret all forbidden things. And here the Tertian shakes his chilling wings: The sleepless Gout here counts the crowing cocks; A wolf now gnaws him, now a serpent stings: Whilst Apoplexy cramm'd Intemperance knocks Down to the ground at once, as butcher felleth ox. CANTO II. The Knight of Arts and Industry, And his achievements fair, That by his Castle's overthrow ESCAP'D the Castle of the Sire of Sin, Is there no patron to protect the Muse, And fence for her Parnassus' barren soil? And they are sure of bread who swink and moil; As ruthless wasps oft rob the painful bee: Thus while the laws not guard that noblest toil, They praised are alone, and starve right merrily. I care not, Fortune, what you me deny ; You cannot rob me of free Nature's grace; You cannot shut the windows of the sky, Through which Aurora shows her brightening face; You cannot bar my constant feet to trace The woods and lawns, by living stream, at eve: Let health my nerves and finer fibres brace, And I their toys to the great children leave: Of fancy, reason, virtue, naught can me bereave. Come then, my Muse! and raise a bolder song; Come, lig no more upon the bed of sloth, Dragging the lazy languid line along, Fond to begin, but still to finish loath, Thy half-wit scrolls all eaten by the moth; Arise, and sing that generous imp of fame, Who with the sons of Softness nobly wroth, To sweep away this human lumber came, Or in a chosen few to rouse the slumbering flame. The tidings reach'd to where, in quiet hall, The good old knight enjoy'd well-earnt repose. "Come, come, Sir Knight, thy children on thee call: Come save us yet, ere ruin round us close, |