Bulletin (Östasiatiska Samlingarna (Stockholm, Sweden))The Museum, 1960 - China "Bibliography of publications based upon collections made with the support of the Swedish China research committee, by Fr. E. Åhlander": Bulletin no. 1, p. 185-191. |
From inside the book
Results 1-3 of 6
Page 18
... emperor Zhenzong ( r . 998–1022 ) . Although not directly attributed to Hangzhou , it resembles in style a famous and well preserved imprint from Hangzhou . Both show a pronounced influence of the calligraphy of Yan Zhenqing ( 709-785 ) ...
... emperor Zhenzong ( r . 998–1022 ) . Although not directly attributed to Hangzhou , it resembles in style a famous and well preserved imprint from Hangzhou . Both show a pronounced influence of the calligraphy of Yan Zhenqing ( 709-785 ) ...
Page 24
... emperor Gaozong ( r . 1127-1162 ) , or the series of portraits of Confucius and his 72 disciples based on drawings by the Northern Song artist Li Gonglin , also with text in the calligraphy of Gaozong.65 Many of the original engraved ...
... emperor Gaozong ( r . 1127-1162 ) , or the series of portraits of Confucius and his 72 disciples based on drawings by the Northern Song artist Li Gonglin , also with text in the calligraphy of Gaozong.65 Many of the original engraved ...
Page 58
... emperor took the throne in 960 , Qian Hongshu changed his name simply to Qian Shu , in observance of the imperial taboo character hong . By pledging allegiance to the new Song government the Kingdom of Wu and Yue was allowed to maintain ...
... emperor took the throne in 960 , Qian Hongshu changed his name simply to Qian Shu , in observance of the imperial taboo character hong . By pledging allegiance to the new Song government the Kingdom of Wu and Yue was allowed to maintain ...