Elements of Criticism: With the Author's Last Corrections and Additions : Vol. I(-II)From the Press of S. Etheridge, for J. White, Thomas & Andrews, W. Spotswood, D. West, W.P. Blake, E. Larkin, & J. West, 1796 - Criticism - 440 pages |
From inside the book
Results 1-5 of 58
Page iv
... to others in that partic- ular , he cannot avoid the taking on him to judge for the reader , who can much better judge for himself . JUNE 1763 . CONTENTS , CONTENTS , Introduction , Chap . VOLUME T 1. Perceptions iv PREFACE .
... to others in that partic- ular , he cannot avoid the taking on him to judge for the reader , who can much better judge for himself . JUNE 1763 . CONTENTS , CONTENTS , Introduction , Chap . VOLUME T 1. Perceptions iv PREFACE .
Page v
... Perceptions and Ideas in a train , 2. Emotions and Paffions , Part 1. Caufes unfolded of the Emotions and Paffions : Sect . " 1. Difference between Emotion and Paffion - Caufes that are the moft common and the most gen- eral - Paffion ...
... Perceptions and Ideas in a train , 2. Emotions and Paffions , Part 1. Caufes unfolded of the Emotions and Paffions : Sect . " 1. Difference between Emotion and Paffion - Caufes that are the moft common and the most gen- eral - Paffion ...
Page vi
... Perceptions , Opin- ions , and Belief , Appendix . Methods that Nature bath afforded for computing Time and Space , 95- 102 124 134 6. Refemblance of Emotions to their Caufes , 144 fre 147 157 169 7. Final Caufes of the more fre quent ...
... Perceptions , Opin- ions , and Belief , Appendix . Methods that Nature bath afforded for computing Time and Space , 95- 102 124 134 6. Refemblance of Emotions to their Caufes , 144 fre 147 157 169 7. Final Caufes of the more fre quent ...
Page 12
... perceptions are of external objects , and our firft attachments are to them . Organic pleasures take the lead ; but the mind , gradually ripening , relifheth more and more the pleafures ? of the eye and ear ; which approach the purely ...
... perceptions are of external objects , and our firft attachments are to them . Organic pleasures take the lead ; but the mind , gradually ripening , relifheth more and more the pleafures ? of the eye and ear ; which approach the purely ...
Page 14
... to difcover , if we can , what are the genuine principles of the fine arts . The man who afpires to be a critic in these arts muft pierce Aill deeper : he muft acquire acquire a clear perception of what objects are lofty , 14 INTRODUCTION .
... to difcover , if we can , what are the genuine principles of the fine arts . The man who afpires to be a critic in these arts muft pierce Aill deeper : he muft acquire acquire a clear perception of what objects are lofty , 14 INTRODUCTION .
Common terms and phrases
action Æneid againſt agreeable alfo alſo appear arifing arts beauty becauſe Cæfar cafe caufe cauſe chap circumftances colour confequently confiderable connection courfe defcribing defcription defire degree difagreeable diftrefs diſcover diſtinguiſh effect elevation emotion raiſed emotions and paffions example exift expreffed expreffion external figns faid fame fcarce feeling feems feldom fenfe fenfible fentiments fhall fhort fhould figure fimilar fingle fingular fion firft firſt focial fome fometimes fpectator ftill fubject fublime fucceffion fuch fufficient furpriſe fwell fympathy grandeur gratification happineſs hath himſelf ideal prefence ideas impreffion inftances itſelf ject juft lefs meaſure mind moft moſt motion mufic muft muſt nature neceffary obfervation occafion oppofite Othello paffage paffing pain perceptions perfon pleafant emotion pleaſant pleaſure prefent produce produceth propenfity puniſhment purpoſes qualities raife reafon refemblance refpect relifh Shakeſpear ſtate tafte taſte thefe theſe things thofe thoſe thou tion uſe