Elements of Criticism, Volume 1Johnson Reprint Corporation, 1967 - Criticism |
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Page 30
... proceed in the order of time ; or , which comes to the fame , to proceed along the chain of caufes and ef- fects . But though , in following out a historical chain , our bent is to proceed orderly from caufes to their effects , we find ...
... proceed in the order of time ; or , which comes to the fame , to proceed along the chain of caufes and ef- fects . But though , in following out a historical chain , our bent is to proceed orderly from caufes to their effects , we find ...
Page 55
... proceed to action . Defire in a lax fense respects alfo actions and events that depend not on us , as when I defire that my friend may have a fon to represent him , or that my country may flourish in arts and sciences . But fuch ...
... proceed to action . Defire in a lax fense respects alfo actions and events that depend not on us , as when I defire that my friend may have a fon to represent him , or that my country may flourish in arts and sciences . But fuch ...
Page 159
... proceed to confider the effects of diffimi- lar emotions . These effects obviously must be oppofite to what are above described ; and in order to explain them with accuracy , diffimilar emotions proceeding from con- nected causes , must ...
... proceed to confider the effects of diffimi- lar emotions . These effects obviously must be oppofite to what are above described ; and in order to explain them with accuracy , diffimilar emotions proceeding from con- nected causes , must ...
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Common terms and phrases
action Æneid againſt agreeable alfo alſo appears arts beauty becauſe betwixt Cæfar cafe caſe caufe cauſe circumſtances confideration confidered connection contraft courſe criticiſm defire deſcribed deſcription diftrefs diſagreeable diſcover diſtinct diſtinguiſhed diſtreſs effect emotion raiſed emotions and paffions exerciſe exiſtence faid fame feeling fenfe fenfible fhall fight fimilar fingle fingular fion firſt focial fome fometimes ftill fubject fublime fucceffion fuch fufficient furpriſe grandeur gratification happineſs hath himſelf hiſtory Iago ideal prefence ideas impreffion inftances itſelf ject juſt lefs leſs meaſure ment mind moſt motion mufic muſt myſelf nature neceffary obfervation object occafion oppofite Othello paffing painful emotion perceive perceptions perfon pleaſant emotion pleaſant or painful pleaſure preſent produce produceth propenfity puniſh purpoſes qualities reaſon reflection reliſh remarkable reſemblance reſpect ſame ſcarce ſcience ſelfiſh ſenſe ſeparately ſhall ſhould ſmall ſome ſpectator ſtill ſtrong ſuch taſte theſe thing thoſe tion uſe