Elements of Criticism, Volume 1Johnson Reprint Corporation, 1967 - Criticism |
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Page 24
... ideas must be a chain , in which the parti- cular ideas are linked to each other . may vary the order of a natural train ; but not so as to diffolve it altogether , by carry- ing on our thoughts in a loose manner without any connection ...
... ideas must be a chain , in which the parti- cular ideas are linked to each other . may vary the order of a natural train ; but not so as to diffolve it altogether , by carry- ing on our thoughts in a loose manner without any connection ...
Page 26
... ideas , because they are intro- duced by any relation indifferently ; and the flighter relations , being without number , muft furnish ideas without end . This doc- trine is , in a lively manner , illuftrated by Shakespear . Falstaff ...
... ideas , because they are intro- duced by any relation indifferently ; and the flighter relations , being without number , muft furnish ideas without end . This doc- trine is , in a lively manner , illuftrated by Shakespear . Falstaff ...
Page 210
... ideas , pro- ceeds with an extreme flow pace . Not on- are the ideas few in number , but are apt to efcape an after - reckoning . The like falfe reckoning of time may proceed from an op- pofite ftate of mind . In a reverie , where ideas ...
... ideas , pro- ceeds with an extreme flow pace . Not on- are the ideas few in number , but are apt to efcape an after - reckoning . The like falfe reckoning of time may proceed from an op- pofite ftate of mind . In a reverie , where ideas ...
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Common terms and phrases
action Æneid againſt agreeable alfo alſo appears arts beauty becauſe betwixt Cæfar cafe caſe caufe cauſe circumſtances confideration confidered connection contraft courſe criticiſm defire deſcribed deſcription diftrefs diſagreeable diſcover diſtinct diſtinguiſhed diſtreſs effect emotion raiſed emotions and paffions exerciſe exiſtence faid fame feeling fenfe fenfible fhall fight fimilar fingle fingular fion firſt focial fome fometimes ftill fubject fublime fucceffion fuch fufficient furpriſe grandeur gratification happineſs hath himſelf hiſtory Iago ideal prefence ideas impreffion inftances itſelf ject juſt lefs leſs meaſure ment mind moſt motion mufic muſt myſelf nature neceffary obfervation object occafion oppofite Othello paffing painful emotion perceive perceptions perfon pleaſant emotion pleaſant or painful pleaſure preſent produce produceth propenfity puniſh purpoſes qualities reaſon reflection reliſh remarkable reſemblance reſpect ſame ſcarce ſcience ſelfiſh ſenſe ſeparately ſhall ſhould ſmall ſome ſpectator ſtill ſtrong ſuch taſte theſe thing thoſe tion uſe