Elements of Criticism, Volume 1Johnson Reprint Corporation, 1967 - Criticism |
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Page 108
... ideal presence , the reader , it is expected , will take some pains to form an exact notion of it , as distinguished on the one hand from real presence , and on the other from a su- perficial or reflective remembrance . It is ...
... ideal presence , the reader , it is expected , will take some pains to form an exact notion of it , as distinguished on the one hand from real presence , and on the other from a su- perficial or reflective remembrance . It is ...
Page 109
... ideal perception is an act of intuition , into which reflection en- ters not more than into an act of fight . Though ideal prefence be distinguished from real presence on the one fide and from reflective remembrance on the other , it is ...
... ideal perception is an act of intuition , into which reflection en- ters not more than into an act of fight . Though ideal prefence be distinguished from real presence on the one fide and from reflective remembrance on the other , it is ...
Page 114
Lord Henry Home Kames. red to him , that if , in reading , ideal presence be the means by which our paffions are moved , it makes no difference whether the fubject be a fable or a reality . When ideal prefence is complete , we perceive ...
Lord Henry Home Kames. red to him , that if , in reading , ideal presence be the means by which our paffions are moved , it makes no difference whether the fubject be a fable or a reality . When ideal prefence is complete , we perceive ...
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Common terms and phrases
action Æneid againſt agreeable alfo alſo appears arts beauty becauſe betwixt Cæfar cafe caſe caufe cauſe circumſtances confideration confidered connection contraft courſe criticiſm defire deſcribed deſcription diftrefs diſagreeable diſcover diſtinct diſtinguiſhed diſtreſs effect emotion raiſed emotions and paffions exerciſe exiſtence faid fame feeling fenfe fenfible fhall fight fimilar fingle fingular fion firſt focial fome fometimes ftill fubject fublime fucceffion fuch fufficient furpriſe grandeur gratification happineſs hath himſelf hiſtory Iago ideal prefence ideas impreffion inftances itſelf ject juſt lefs leſs meaſure ment mind moſt motion mufic muſt myſelf nature neceffary obfervation object occafion oppofite Othello paffing painful emotion perceive perceptions perfon pleaſant emotion pleaſant or painful pleaſure preſent produce produceth propenfity puniſh purpoſes qualities reaſon reflection reliſh remarkable reſemblance reſpect ſame ſcarce ſcience ſelfiſh ſenſe ſeparately ſhall ſhould ſmall ſome ſpectator ſtill ſtrong ſuch taſte theſe thing thoſe tion uſe