Kraftwerk: Music Non-Stop

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Sean Albiez, David Pattie
Bloomsbury Publishing USA, Nov 18, 2010 - Music - 256 pages
When they were creating and releasing their most influential albums in the mid to late 1970s, Kraftwerk were far from the musical mainstream - and yet it is impossible now to imagine the history of popular music without them. Today, Kraftwerk are considered to be an essential part of pop's DNA, alongside artists like the Beatles, the Velvet Underground, and Little Richard.

Kraftwerk's immediate influence might have been on a generation of synth-based bands (Orchestral Manoeuvres in the Dark, the Human League, Depeche Mode, Yello, et al), but their influence on the emerging dance culture in urban America has proved longer lasting and more decisive.

This collection of original essays looks at Kraftwerk - their legacy and influence - from a variety of angles, and demonstrates persuasively and coherently that however you choose to define their art, it's impossible to underestimate the ways in which it predicted and shaped the future.
 

Contents

I Music Technology and Culture
13
II Influences and Legacies
137
Discography
231

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About the author (2010)

Sean Albiez is an Independent Scholar and musician. He has published on electronic music, music technology, punk and post-punk. He is currently researching topics in electronic music history and has thirty years experience lecturing in popular music at UK universities and colleges. He is co-editor of Kraftwerk: Music Non Stop (Bloomsbury, 2011), Brian Eno: Oblique Music (Bloomsbury, 2016), and The Velvet Underground (Bloomsbury, 2022), and Contributing Editor (Music Technology) for the Bloomsbury Encyclopaedia of Popular Music of the World. He produces electronic music as ghost elektron and - with Martin James - as Nostalgia Deathstar.

David Pattie is Associate Professor in Drama and Theatre Arts at the University of Birmingham, UK. He researches and publishes in a number of areas; popular music performance and culture, contemporary British and Scottish theatre, and the work of Samuel Beckett. He is the author of Rock Music in Performance (Bloomsbury, 2007), and the co-editor of the books Kraftwerk: Music Non Stop (Bloomsbury, 2011) and Brian Eno: Oblique Music (Bloomsbury, 2016), and The Velvet Underground (Bloomsbury, 2022).

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