Bulletin (Östasiatiska Samlingarna (Stockholm, Sweden))The Museum, 1960 - China "Bibliography of publications based upon collections made with the support of the Swedish China research committee, by Fr. E. Åhlander": Bulletin no. 1, p. 185-191. |
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Page 9
... peaks of Mt. Huang in painting , while on porcelain they became a popular motif for separating scenes . The Ni Zan style of a sparse landscape with an empty pavilion , admired by Anhui painters , is also a popular motif on Transitional ...
... peaks of Mt. Huang in painting , while on porcelain they became a popular motif for separating scenes . The Ni Zan style of a sparse landscape with an empty pavilion , admired by Anhui painters , is also a popular motif on Transitional ...
Page 32
... peak . It is worth noting that the same scene is also painted on a blue and white Kraak plate of the Wanli period ( 1573–1619 ) in the collection of the Topkapi Sarayi Muzesi , Istanbul ( No. 35681 ) ( pl . 58 ) . The border of this ...
... peak . It is worth noting that the same scene is also painted on a blue and white Kraak plate of the Wanli period ( 1573–1619 ) in the collection of the Topkapi Sarayi Muzesi , Istanbul ( No. 35681 ) ( pl . 58 ) . The border of this ...
Page 52
... peaks or similar objects . In the Tianqi and Chongzhen reigns , clouds which form V - shapes are often composed of tiny hook strokes . Triangular shaped mountain peaks are painted inside the V - shapes ( pl . 64 ) , while in the later ...
... peaks or similar objects . In the Tianqi and Chongzhen reigns , clouds which form V - shapes are often composed of tiny hook strokes . Triangular shaped mountain peaks are painted inside the V - shapes ( pl . 64 ) , while in the later ...