Bulletin (Östasiatiska Samlingarna (Stockholm, Sweden))The Museum, 1960 - China "Bibliography of publications based upon collections made with the support of the Swedish China research committee, by Fr. E. Åhlander": Bulletin no. 1, p. 185-191. |
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Page 47
... motif is most frequently used together with tulips ( pl . 56 ) and leaf patterns ( pl . 45 ) . Sometimes this motif alone is painted on the centre part of a piece to separate different sections of the decoration . Bands of incised ...
... motif is most frequently used together with tulips ( pl . 56 ) and leaf patterns ( pl . 45 ) . Sometimes this motif alone is painted on the centre part of a piece to separate different sections of the decoration . Bands of incised ...
Page 48
... motif during the latter part of the Transitional period . They often appear in various combinations with plants , insects , and rocks . This is a motif that had already been used for border designs in the Jiajing period ( 1522–1566 ) ...
... motif during the latter part of the Transitional period . They often appear in various combinations with plants , insects , and rocks . This is a motif that had already been used for border designs in the Jiajing period ( 1522–1566 ) ...
Page 52
... motif was combined with a pattern of fine undulating lines ( pls . 22 , 59 ) . This type of cloud , popular in the Tianqi and Chongzhen periods , was also used to encircle the rocks which served to separate the beginning and the ending ...
... motif was combined with a pattern of fine undulating lines ( pls . 22 , 59 ) . This type of cloud , popular in the Tianqi and Chongzhen periods , was also used to encircle the rocks which served to separate the beginning and the ending ...