Bulletin (Östasiatiska Samlingarna (Stockholm, Sweden))The Museum, 1960 - China "Bibliography of publications based upon collections made with the support of the Swedish China research committee, by Fr. E. Åhlander": Bulletin no. 1, p. 185-191. |
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Page 47
... motif is most frequently used together with tulips ( pl . 56 ) and leaf patterns ( pl . 45 ) . Sometimes this motif alone is painted on the centre part of a piece to separate different sections of the decoration . Bands of incised ...
... motif is most frequently used together with tulips ( pl . 56 ) and leaf patterns ( pl . 45 ) . Sometimes this motif alone is painted on the centre part of a piece to separate different sections of the decoration . Bands of incised ...
Page 50
... motif is painted either on the ground or as leaves on trees . It is one of the most common leaf patterns used during the Tianqi , Chongzhen and Shunzhi periods . The use of this motif seems to have greatly declined during the Kangxi ...
... motif is painted either on the ground or as leaves on trees . It is one of the most common leaf patterns used during the Tianqi , Chongzhen and Shunzhi periods . The use of this motif seems to have greatly declined during the Kangxi ...
Page 52
... motif was combined with a pattern of fine undulating lines ( pls . 22 , 59 ) . This type of cloud , popular in the Tianqi and Chongzhen periods , was also used to encircle the rocks which served to separate the beginning and the ending ...
... motif was combined with a pattern of fine undulating lines ( pls . 22 , 59 ) . This type of cloud , popular in the Tianqi and Chongzhen periods , was also used to encircle the rocks which served to separate the beginning and the ending ...