Bulletin (Östasiatiska Samlingarna (Stockholm, Sweden))The Museum, 1960 - China "Bibliography of publications based upon collections made with the support of the Swedish China research committee, by Fr. E. Åhlander": Bulletin no. 1, p. 185-191. |
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Page 27
... phases with 1672 as the dividing year . Before 1672 , the style of decoration is a continuation of that of the late Ming period . The influence of Chen Hongshou's style can be discovered also . However , the composition became more ...
... phases with 1672 as the dividing year . Before 1672 , the style of decoration is a continuation of that of the late Ming period . The influence of Chen Hongshou's style can be discovered also . However , the composition became more ...
Page 54
... phases . The Tianqi period represents the first phase . This was an initial period , when certain scenes which were going to be used again at a later date began to make their appearance . Religious themes can also be seen depicted on ...
... phases . The Tianqi period represents the first phase . This was an initial period , when certain scenes which were going to be used again at a later date began to make their appearance . Religious themes can also be seen depicted on ...
Page 55
... phase as no examples of it have been found so far . At this time , most decorations are drawn in a spontaneous and carefree manner and are very expressive . The second phase can be defined as being from the Chongzhen period to the end ...
... phase as no examples of it have been found so far . At this time , most decorations are drawn in a spontaneous and carefree manner and are very expressive . The second phase can be defined as being from the Chongzhen period to the end ...