Bulletin"Bibliography of publications based upon collections made with the support of the Swedish China research committee, by Fr. E. Åhlander": Bulletin no. 1, p. 185-191. |
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Page 9
The Ni Zan style of a sparse landscape with an empty pavilion , admired by Anhui
painters , is also a popular motif on Transitional porcelain ( pl . 21 ) . Furthermore
, a parallel development in landscape painting may also be detected between ...
The Ni Zan style of a sparse landscape with an empty pavilion , admired by Anhui
painters , is also a popular motif on Transitional porcelain ( pl . 21 ) . Furthermore
, a parallel development in landscape painting may also be detected between ...
Page 18
The verse reads : Yesterday the feast in the Eastern Pavilion was opened for you
, And no longer need you wait in the Western Chamber with the moon overhead .
There are some changes in the wording of this verse from the original ; for ...
The verse reads : Yesterday the feast in the Eastern Pavilion was opened for you
, And no longer need you wait in the Western Chamber with the moon overhead .
There are some changes in the wording of this verse from the original ; for ...
Page 37
... glazed in brown , a round foot and a glazed base also inscribed with Yutang
Jiaqi in regular characters in a double circle . The bottom of the interior of this
bowl is painted with a landscape containing an empty pavilion in the Ni Zan style
( pl .
... glazed in brown , a round foot and a glazed base also inscribed with Yutang
Jiaqi in regular characters in a double circle . The bottom of the interior of this
bowl is painted with a landscape containing an empty pavilion in the Ni Zan style
( pl .
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