More Than RealFrom the fifteenth to the eighteenth centuries, the major cultures of southern India underwent a revolution in sensibility reminiscent of what had occurred in Renaissance Italy. During this time, the imagination came to be recognized as the defining feature of human beings. More than Real draws our attention to a period in Indian history that signified major civilizational change and the emergence of a new, proto-modern vision. In general, India conceived of the imagination as a causative agent: things we perceive are real because we imagine them. David Shulman illuminates this distinctiveness and shows how it differed radically from Western notions of reality and models of the mind. Shulman's explication offers insightful points of comparison with ancient Greek, medieval Islamic, and early modern European theories of mind, and returns Indology to its rightful position of intellectual relevance in the humanities. At a time when contemporary ideologies and language wars threaten to segregate the study of pre-modern India into linguistic silos, Shulman demonstrates through his virtuoso readings of important literary works—works translated lyrically by the author from Sanskrit, Tamil, Telugu, and Malayalam—that Sanskrit and the classical languages of southern India have been intimately interwoven for centuries. |
What people are saying - Write a review
We haven't found any reviews in the usual places.
Other editions - View all
Common terms and phrases
Abhinavagupta active Anandavardhana Annamayya articulated attention awareness beauty Bhatta bhavana Brahmin causal century classical Clown cognitive cosmos creative Damayanti defined definition discussion domain example existence existential experience external eyes fantasy fiction field figuration figure final find fine fire first flowers flowing goddess human Iagannatha identified imaginative act inner intensified internal Kadambari Kalidasa kind King Best Kuntaka Kutiyattam language linguistic look lover matter means meditation mental metaphysical mind mode Naitatam Nala Narayana Rao notion Nyaya object ofthe imagination one’s painted Péddana perception perhaps person play poem poet poet’s poetic poeticians poetry pratibha produce projection Rajas'ekhara Rama reality reflection ritual Ruyyaka Samavati Sanskrit Sea-Borne seen sense Shulman Simantini Siva south Indian space specific spectator story Tamil Telugu Tenkasi Tevaram theory thing tion Tirupati tive true Udayana ullam unreal utpreksa Vari'lthini Vedic Velcheru Narayana Rao verse vision visionary words Yoga