The Rarer Action: Essays in Honor of Francis Fergusson |
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Page 23
... play " developing from one Ibsen play to another , from one Shaw play to another , from one Brecht play to another . There is also a development from author to author . And since people are individuals and unique , geniuses , if an ...
... play " developing from one Ibsen play to another , from one Shaw play to another , from one Brecht play to another . There is also a development from author to author . And since people are individuals and unique , geniuses , if an ...
Page 90
... play : what are we to make of Apollo ? The play begins with a description of a god's intention and plan , a clear , logical design . So does the Hippolytus . But in that play the plan works inexorably through to its hideous end . In the ...
... play : what are we to make of Apollo ? The play begins with a description of a god's intention and plan , a clear , logical design . So does the Hippolytus . But in that play the plan works inexorably through to its hideous end . In the ...
Page 122
... played Pentheus : The one time the sequence was completed was when Katherine Turner came out into the room . . . . The confrontation between us was irrational . Her concern for me was not based on the play , my playing a role , whether ...
... played Pentheus : The one time the sequence was completed was when Katherine Turner came out into the room . . . . The confrontation between us was irrational . Her concern for me was not based on the play , my playing a role , whether ...
Contents
Three Stages | 3 |
Place | 24 |
Nicola ChiaromonteThe Political Theater | 36 |
Copyright | |
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Abel Abel Sanchez abstraction action actual Aeschylus Apollo Aristotle Aristotle's artistic audience Badger become Bookman Brecht called Cassio character Clare's comedy comic Creusa critical dance Dante Dante's Dionysus Dostoevsky drama Electra elegy elements Emerson epic theater eravo essay Euripides example experience eyes fact feeling Francis Fergusson genre Greek Herbert human Iago Ibid Ibsen idea imagination imitation intellectual JoaquĆn Johnson Kenyon Review kind language literary live masks means Mikhailovsky mind modern moral myth nature night Novalis novel object Oedipus the King Othello Pentheus performance play poem poet poetic poetry political theater present Purgatory reality Review ritual romantic Russian scene seems sense Sewanee Review shaman Shaw social Sophocles soul spirit stage stanza T. S. Eliot Tasso's theatrical things thought tion tragedy tragic translation turn Unamuno Vergil Vico Vico's vision whole Wiffen word writes Xuthus