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Nicola ChiaromonteThe Political Theater
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abstraction action actual Aeschylus appears Aristotle artistic asked audience become begins Brecht called character comedy course critical dance Dante Dostoevsky drama effect elements Elizabethan Emerson Euripides example experience expression eyes fact feeling final follow force give hand happened human Iago idea imagination important individual initiates kind language least less letter light lines literary live look matter means mind moral move myth nature never night object once original performance play poem poet poetry political possible present question reality reason remains scene seems sense situation social soul speak spirit stage suggest tell theater theory things thought tion tragedy tragic translation true turn University vision whole writes young