Modernism/postmodernismPeter Brooker The concepts of 'Modernism' and 'Postmodernism' constitute the single most dominant issue of twentieth-century literature and culture and are the cause of much debate. In this influential volume, Peter Brooker presents some of the key viewpoints from a variety of major critics and sets these additionally alongside challenging arguments from Third World, Black and Feminist perspectives. His excellent Introduction and detailed headnotes for each section and essay provide an indispensable guide to interpreting the many different opinions, and prove to be valuable contributions in their own right. |
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Page 43
... writing from the standpoint of the class which has prepared the broadest solutions for the most pressing problems ... writing ( in which everything can be smelt , tasted , felt ) is not to be identified automatically with realist writing ...
... writing from the standpoint of the class which has prepared the broadest solutions for the most pressing problems ... writing ( in which everything can be smelt , tasted , felt ) is not to be identified automatically with realist writing ...
Page 96
... writing ( or rather écriture féminine ) as a prime example of anti - realist conventions . Realism , in this kind of argument , is identified as ' masculine ' , and disruptions or departures from it are , in terms of this binary logic ...
... writing ( or rather écriture féminine ) as a prime example of anti - realist conventions . Realism , in this kind of argument , is identified as ' masculine ' , and disruptions or departures from it are , in terms of this binary logic ...
Page 201
... writing , or more specifically a writing - as- experience - of - limits , becomes a crushing weight on them . When contemporary writers of genius who are conscious of this lesson of history reject political temptation , it is often ...
... writing , or more specifically a writing - as- experience - of - limits , becomes a crushing weight on them . When contemporary writers of genius who are conscious of this lesson of history reject political temptation , it is often ...
Contents
Reconstructions | 1 |
Modernist Positions | 37 |
WALTER BENJAMIN from The Work of Art in the Age | 45 |
Copyright | |
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Adorno aesthetic American artistic autonomous avant-garde avant-gardiste become Benjamin bourgeois Brecht CALIFORNIA/SANTA CRUZ capital classical concept consciousness contemporary criticism critique CRUZ The University cultural debate deconstruction dialectical discourse dominant Eliot Enlightenment essay example experience fact feminism feminist fiction film Fredric Jameson Georg Lukács Habermas Hassan Hegel historical avant-garde movements historiographic metafiction hyperreal ideological institution intellectual kind language Le Corbusier Linda Hutcheon literary literature London longer Lukács Lyotard Ma Rainey Marxism mass means metropolis modern art modernist narrative neoconservative novel parody past pastiche perspective philosophy political pop music popular position postmodernism postmodernist poststructuralism present production question radical Raymond Williams realism reality relation representation Routledge Salman Rushdie sense simulation social society Stephanson style T.S. Eliot theory tradition trans twentieth century UNIVERSITY OF CALIFORNIA/SANTA University Press urban Verso Walter Benjamin West women writing York