Modernism/postmodernismPeter Brooker The concepts of 'Modernism' and 'Postmodernism' constitute the single most dominant issue of twentieth-century literature and culture and are the cause of much debate. In this influential volume, Peter Brooker presents some of the key viewpoints from a variety of major critics and sets these additionally alongside challenging arguments from Third World, Black and Feminist perspectives. His excellent Introduction and detailed headnotes for each section and essay provide an indispensable guide to interpreting the many different opinions, and prove to be valuable contributions in their own right. |
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Page 99
... story - based narratives and her dissatisfaction with current forms is of course common to the period . As she stated in the Preface to the 1939 edition of Pilgrimage : ' The material that moved me to write would not fit the framework ...
... story - based narratives and her dissatisfaction with current forms is of course common to the period . As she stated in the Preface to the 1939 edition of Pilgrimage : ' The material that moved me to write would not fit the framework ...
Page 233
... story - telling is not presented as a privatised form of experience but as asserting a communicational bond between the teller and the told within a context that is historical , social , and political , as well as intertextual . The ...
... story - telling is not presented as a privatised form of experience but as asserting a communicational bond between the teller and the told within a context that is historical , social , and political , as well as intertextual . The ...
Page 234
... story and the story - telling of the non - combatants or the losers : the Canadian Indians of Ruby Wiebe's The Temptations of Big Bear or Leonard Cohen's Beautiful Losers ; the women of Troy in Christa Wolf's Cassandra ; the blacks of ...
... story and the story - telling of the non - combatants or the losers : the Canadian Indians of Ruby Wiebe's The Temptations of Big Bear or Leonard Cohen's Beautiful Losers ; the women of Troy in Christa Wolf's Cassandra ; the blacks of ...
Contents
Reconstructions | 1 |
Modernist Positions | 37 |
WALTER BENJAMIN from The Work of Art in the Age | 45 |
Copyright | |
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Adorno aesthetic American artistic autonomous avant-garde avant-gardiste become Benjamin bourgeois Brecht CALIFORNIA/SANTA CRUZ capital classical concept consciousness contemporary criticism critique CRUZ The University cultural debate deconstruction dialectical discourse dominant Eliot Enlightenment essay example experience fact feminism feminist fiction film Fredric Jameson Georg Lukács Habermas Hassan Hegel historical avant-garde movements historiographic metafiction hyperreal ideological institution intellectual kind language Le Corbusier Linda Hutcheon literary literature London longer Lukács Lyotard Ma Rainey Marxism mass means metropolis modern art modernist narrative neoconservative novel parody past pastiche perspective philosophy political pop music popular position postmodernism postmodernist poststructuralism present production question radical Raymond Williams realism reality relation representation Routledge Salman Rushdie sense simulation social society Stephanson style T.S. Eliot theory tradition trans twentieth century UNIVERSITY OF CALIFORNIA/SANTA University Press urban Verso Walter Benjamin West women writing York