Modernism/postmodernismPeter Brooker The concepts of 'Modernism' and 'Postmodernism' constitute the single most dominant issue of twentieth-century literature and culture and are the cause of much debate. In this influential volume, Peter Brooker presents some of the key viewpoints from a variety of major critics and sets these additionally alongside challenging arguments from Third World, Black and Feminist perspectives. His excellent Introduction and detailed headnotes for each section and essay provide an indispensable guide to interpreting the many different opinions, and prove to be valuable contributions in their own right. |
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Page 59
... movements , and that of the description of the avant - gardiste work . The intention of the historical avant - garde work movements was defined as the destruction of art as an institution set off from the praxis of life . The ...
... movements , and that of the description of the avant - gardiste work . The intention of the historical avant - garde work movements was defined as the destruction of art as an institution set off from the praxis of life . The ...
Page 62
... movements is not seen in the attack on art as an institution , the formal problem ( organic versus nonorganic work ) necessarily comes to occupy the center of reflection . But once the historical avant - garde movements revealed art as ...
... movements is not seen in the attack on art as an institution , the formal problem ( organic versus nonorganic work ) necessarily comes to occupy the center of reflection . But once the historical avant - garde movements revealed art as ...
Page 64
... movements to destroy art as an institution . Even the young Brecht who despised the theater of the educated bourgeoisie ( Bildungsbürgertum ) did not conclude that the theater should be abolished altogether ; instead , he proposed to ...
... movements to destroy art as an institution . Even the young Brecht who despised the theater of the educated bourgeoisie ( Bildungsbürgertum ) did not conclude that the theater should be abolished altogether ; instead , he proposed to ...
Contents
Reconstructions | 1 |
Modernist Positions | 37 |
WALTER BENJAMIN from The Work of Art in the Age | 45 |
Copyright | |
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Adorno aesthetic American artistic autonomous avant-garde avant-gardiste become Benjamin bourgeois Brecht CALIFORNIA/SANTA CRUZ capital classical concept consciousness contemporary criticism critique CRUZ The University cultural debate deconstruction dialectical discourse dominant Eliot Enlightenment essay example experience fact feminism feminist fiction film Fredric Jameson Georg Lukács Habermas Hassan Hegel historical avant-garde movements historiographic metafiction hyperreal ideological institution intellectual kind language Le Corbusier Linda Hutcheon literary literature London longer Lukács Lyotard Ma Rainey Marxism mass means metropolis modern art modernist narrative neoconservative novel parody past pastiche perspective philosophy political pop music popular position postmodernism postmodernist poststructuralism present production question radical Raymond Williams realism reality relation representation Routledge Salman Rushdie sense simulation social society Stephanson style T.S. Eliot theory tradition trans twentieth century UNIVERSITY OF CALIFORNIA/SANTA University Press urban Verso Walter Benjamin West women writing York