Modernism/postmodernismPeter Brooker The concepts of 'Modernism' and 'Postmodernism' constitute the single most dominant issue of twentieth-century literature and culture and are the cause of much debate. In this influential volume, Peter Brooker presents some of the key viewpoints from a variety of major critics and sets these additionally alongside challenging arguments from Third World, Black and Feminist perspectives. His excellent Introduction and detailed headnotes for each section and essay provide an indispensable guide to interpreting the many different opinions, and prove to be valuable contributions in their own right. |
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Page 39
... Meaning of Contemporary Realism . Here Lukács sees modernism as a subjectivist and decadent reinforcement of capitalist alienation , a view opposed in different terms by both Adorno ( who viewed modernism as the negation of that reality ) ...
... Meaning of Contemporary Realism . Here Lukács sees modernism as a subjectivist and decadent reinforcement of capitalist alienation , a view opposed in different terms by both Adorno ( who viewed modernism as the negation of that reality ) ...
Page 100
... meaning to what has been identified ' . The interpretive activity – the second move in this cycle of reading - can then take place . But if the text undertakes an excessive proliferation of elements whose function seems purely ...
... meaning to what has been identified ' . The interpretive activity – the second move in this cycle of reading - can then take place . But if the text undertakes an excessive proliferation of elements whose function seems purely ...
Page 201
... meaning while pretending to play with it or flee from it . All the better does it thereby both experience its discomfiture and put up with it , founding its meaning upon Artaud's semiotic glossolalias and Burroughs's cut - up style ...
... meaning while pretending to play with it or flee from it . All the better does it thereby both experience its discomfiture and put up with it , founding its meaning upon Artaud's semiotic glossolalias and Burroughs's cut - up style ...
Contents
Reconstructions | 1 |
Modernist Positions | 37 |
WALTER BENJAMIN from The Work of Art in the Age | 45 |
Copyright | |
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Adorno aesthetic American artistic autonomous avant-garde avant-gardiste become Benjamin bourgeois Brecht CALIFORNIA/SANTA CRUZ capital classical concept consciousness contemporary criticism critique CRUZ The University cultural debate deconstruction dialectical discourse dominant Eliot Enlightenment essay example experience fact feminism feminist fiction film Fredric Jameson Georg Lukács Habermas Hassan Hegel historical avant-garde movements historiographic metafiction hyperreal ideological institution intellectual kind language Le Corbusier Linda Hutcheon literary literature London longer Lukács Lyotard Ma Rainey Marxism mass means metropolis modern art modernist narrative neoconservative novel parody past pastiche perspective philosophy political pop music popular position postmodernism postmodernist poststructuralism present production question radical Raymond Williams realism reality relation representation Routledge Salman Rushdie sense simulation social society Stephanson style T.S. Eliot theory tradition trans twentieth century UNIVERSITY OF CALIFORNIA/SANTA University Press urban Verso Walter Benjamin West women writing York