Modernism/postmodernismPeter Brooker The concepts of 'Modernism' and 'Postmodernism' constitute the single most dominant issue of twentieth-century literature and culture and are the cause of much debate. In this influential volume, Peter Brooker presents some of the key viewpoints from a variety of major critics and sets these additionally alongside challenging arguments from Third World, Black and Feminist perspectives. His excellent Introduction and detailed headnotes for each section and essay provide an indispensable guide to interpreting the many different opinions, and prove to be valuable contributions in their own right. |
From inside the book
Results 1-3 of 42
Page 19
... given their ties with modernism ( John Barth's explicit model is Borges ) , their arguments with realism , and given other developments taking American fiction , like some of the L = A = N = G = U = A = G - E poets , beyond the thrall ...
... given their ties with modernism ( John Barth's explicit model is Borges ) , their arguments with realism , and given other developments taking American fiction , like some of the L = A = N = G = U = A = G - E poets , beyond the thrall ...
Page 68
... given ' ( realism of detail ) and ' subjective humor ' . Hegel's aesthetic theory thus leads logically to the idea of the end of art where art is understood to be what Hegel meant by classicism , the perfect interpenetration of form and ...
... given ' ( realism of detail ) and ' subjective humor ' . Hegel's aesthetic theory thus leads logically to the idea of the end of art where art is understood to be what Hegel meant by classicism , the perfect interpenetration of form and ...
Page 87
... given a persuasive and ultimately conventional social location . On the other hand , alienation in the city could be given a social rather than a psychological emphasis . This is evident in Elizabeth Gaskell's interpretation of the ...
... given a persuasive and ultimately conventional social location . On the other hand , alienation in the city could be given a social rather than a psychological emphasis . This is evident in Elizabeth Gaskell's interpretation of the ...
Contents
Reconstructions | 1 |
Modernist Positions | 37 |
WALTER BENJAMIN from The Work of Art in the Age | 45 |
Copyright | |
11 other sections not shown
Other editions - View all
Common terms and phrases
Adorno aesthetic American artistic autonomous avant-garde avant-gardiste become Benjamin bourgeois Brecht CALIFORNIA/SANTA CRUZ capital classical concept consciousness contemporary criticism critique CRUZ The University cultural debate deconstruction dialectical discourse dominant Eliot Enlightenment essay example experience fact feminism feminist fiction film Fredric Jameson Georg Lukács Habermas Hassan Hegel historical avant-garde movements historiographic metafiction hyperreal ideological institution intellectual kind language Le Corbusier Linda Hutcheon literary literature London longer Lukács Lyotard Ma Rainey Marxism mass means metropolis modern art modernist narrative neoconservative novel parody past pastiche perspective philosophy political pop music popular position postmodernism postmodernist poststructuralism present production question radical Raymond Williams realism reality relation representation Routledge Salman Rushdie sense simulation social society Stephanson style T.S. Eliot theory tradition trans twentieth century UNIVERSITY OF CALIFORNIA/SANTA University Press urban Verso Walter Benjamin West women writing York