Modernism/postmodernismPeter Brooker The concepts of 'Modernism' and 'Postmodernism' constitute the single most dominant issue of twentieth-century literature and culture and are the cause of much debate. In this influential volume, Peter Brooker presents some of the key viewpoints from a variety of major critics and sets these additionally alongside challenging arguments from Third World, Black and Feminist perspectives. His excellent Introduction and detailed headnotes for each section and essay provide an indispensable guide to interpreting the many different opinions, and prove to be valuable contributions in their own right. |
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Page 17
... example , to demonstrate the self - deconstructive inner workings of that literature . All literature is thereby rendered essentially modernist . Or , one might as well say , essentially Romantic . Yet while such readings apparently ...
... example , to demonstrate the self - deconstructive inner workings of that literature . All literature is thereby rendered essentially modernist . Or , one might as well say , essentially Romantic . Yet while such readings apparently ...
Page 28
... example , shows a strong attachment to autobiography , to culturally rooted fantasy , and to the historical record , lost or mythologised from cultural memory . Toni Morrison's Beloved is a recent striking example of such a fictional re ...
... example , shows a strong attachment to autobiography , to culturally rooted fantasy , and to the historical record , lost or mythologised from cultural memory . Toni Morrison's Beloved is a recent striking example of such a fictional re ...
Page 100
... example , items which are not picked up and integrated by symbolic or thematic codes . . . and which do not have a function in the plot produce what Barthes calls a " reality effect " . ' Their function , Culler goes on to argue , is to ...
... example , items which are not picked up and integrated by symbolic or thematic codes . . . and which do not have a function in the plot produce what Barthes calls a " reality effect " . ' Their function , Culler goes on to argue , is to ...
Contents
Reconstructions | 1 |
Modernist Positions | 37 |
WALTER BENJAMIN from The Work of Art in the Age | 45 |
Copyright | |
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Adorno aesthetic American artistic autonomous avant-garde avant-gardiste become Benjamin bourgeois Brecht CALIFORNIA/SANTA CRUZ capital classical concept consciousness contemporary criticism critique CRUZ The University cultural debate deconstruction dialectical discourse dominant Eliot Enlightenment essay example experience fact feminism feminist fiction film Fredric Jameson Georg Lukács Habermas Hassan Hegel historical avant-garde movements historiographic metafiction hyperreal ideological institution intellectual kind language Le Corbusier Linda Hutcheon literary literature London longer Lukács Lyotard Ma Rainey Marxism mass means metropolis modern art modernist narrative neoconservative novel parody past pastiche perspective philosophy political pop music popular position postmodernism postmodernist poststructuralism present production question radical Raymond Williams realism reality relation representation Routledge Salman Rushdie sense simulation social society Stephanson style T.S. Eliot theory tradition trans twentieth century UNIVERSITY OF CALIFORNIA/SANTA University Press urban Verso Walter Benjamin West women writing York