Modernism/postmodernismPeter Brooker The concepts of 'Modernism' and 'Postmodernism' constitute the single most dominant issue of twentieth-century literature and culture and are the cause of much debate. In this influential volume, Peter Brooker presents some of the key viewpoints from a variety of major critics and sets these additionally alongside challenging arguments from Third World, Black and Feminist perspectives. His excellent Introduction and detailed headnotes for each section and essay provide an indispensable guide to interpreting the many different opinions, and prove to be valuable contributions in their own right. |
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Page 44
... conventional forms , found their chief support in the most progressive cadres of the working class . The workers judged everything by the amount of truth contained in it ; they welcomed any innovation which helped the representation of ...
... conventional forms , found their chief support in the most progressive cadres of the working class . The workers judged everything by the amount of truth contained in it ; they welcomed any innovation which helped the representation of ...
Page 47
... conventional is uncritically enjoyed , and the truly new is criticized with aversion . With regard to the screen , the critical and the receptive attitudes of the public coincide . The decisive reason for this is that individual ...
... conventional is uncritically enjoyed , and the truly new is criticized with aversion . With regard to the screen , the critical and the receptive attitudes of the public coincide . The decisive reason for this is that individual ...
Page 87
... conventional social location . On the other hand , alienation in the city could be given a social rather than a psychological emphasis . This is evident in Elizabeth Gaskell's interpretation of the streets of Manchester in Mary Barton ...
... conventional social location . On the other hand , alienation in the city could be given a social rather than a psychological emphasis . This is evident in Elizabeth Gaskell's interpretation of the streets of Manchester in Mary Barton ...
Contents
Reconstructions | 1 |
Modernist Positions | 37 |
WALTER BENJAMIN from The Work of Art in the Age | 45 |
Copyright | |
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Adorno aesthetic American artistic autonomous avant-garde avant-gardiste become Benjamin bourgeois Brecht CALIFORNIA/SANTA CRUZ capital classical concept consciousness contemporary criticism critique CRUZ The University cultural debate deconstruction dialectical discourse dominant Eliot Enlightenment essay example experience fact feminism feminist fiction film Fredric Jameson Georg Lukács Habermas Hassan Hegel historical avant-garde movements historiographic metafiction hyperreal ideological institution intellectual kind language Le Corbusier Linda Hutcheon literary literature London longer Lukács Lyotard Ma Rainey Marxism mass means metropolis modern art modernist narrative neoconservative novel parody past pastiche perspective philosophy political pop music popular position postmodernism postmodernist poststructuralism present production question radical Raymond Williams realism reality relation representation Routledge Salman Rushdie sense simulation social society Stephanson style T.S. Eliot theory tradition trans twentieth century UNIVERSITY OF CALIFORNIA/SANTA University Press urban Verso Walter Benjamin West women writing York