Modernism/postmodernismPeter Brooker The concepts of 'Modernism' and 'Postmodernism' constitute the single most dominant issue of twentieth-century literature and culture and are the cause of much debate. In this influential volume, Peter Brooker presents some of the key viewpoints from a variety of major critics and sets these additionally alongside challenging arguments from Third World, Black and Feminist perspectives. His excellent Introduction and detailed headnotes for each section and essay provide an indispensable guide to interpreting the many different opinions, and prove to be valuable contributions in their own right. |
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Page 53
... appearance as the elements of art ; but I do not see why play should be dialectical , and appearance - the appearance which you have managed to preserve in Ottilie who , together with Mignon and Helena , now does not come off so well ...
... appearance as the elements of art ; but I do not see why play should be dialectical , and appearance - the appearance which you have managed to preserve in Ottilie who , together with Mignon and Helena , now does not come off so well ...
Page 68
... appearance ( interesseloses Scheinen ) which is wholly without the sort of interest that the subject has . The one thing certain about beauty is , as it were , appearance [ semblance ( Scheinen ) ] for its own sake , and art is mastery ...
... appearance ( interesseloses Scheinen ) which is wholly without the sort of interest that the subject has . The one thing certain about beauty is , as it were , appearance [ semblance ( Scheinen ) ] for its own sake , and art is mastery ...
Page 153
... appearance : of the order of malefice . In the third , it plays at being an appearance : it is of the order of sorcery . In the fourth , it is no longer in the order of appearance at all , but of simulation . The transition from signs ...
... appearance : of the order of malefice . In the third , it plays at being an appearance : it is of the order of sorcery . In the fourth , it is no longer in the order of appearance at all , but of simulation . The transition from signs ...
Contents
Reconstructions | 1 |
Modernist Positions | 37 |
WALTER BENJAMIN from The Work of Art in the Age | 45 |
Copyright | |
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Adorno aesthetic American artistic autonomous avant-garde avant-gardiste become Benjamin bourgeois Brecht CALIFORNIA/SANTA CRUZ capital classical concept consciousness contemporary criticism critique CRUZ The University cultural debate deconstruction dialectical discourse dominant Eliot Enlightenment essay example experience fact feminism feminist fiction film Fredric Jameson Georg Lukács Habermas Hassan Hegel historical avant-garde movements historiographic metafiction hyperreal ideological institution intellectual kind language Le Corbusier Linda Hutcheon literary literature London longer Lukács Lyotard Ma Rainey Marxism mass means metropolis modern art modernist narrative neoconservative novel parody past pastiche perspective philosophy political pop music popular position postmodernism postmodernist poststructuralism present production question radical Raymond Williams realism reality relation representation Routledge Salman Rushdie sense simulation social society Stephanson style T.S. Eliot theory tradition trans twentieth century UNIVERSITY OF CALIFORNIA/SANTA University Press urban Verso Walter Benjamin West women writing York