Modernism/postmodernismPeter Brooker The concepts of 'Modernism' and 'Postmodernism' constitute the single most dominant issue of twentieth-century literature and culture and are the cause of much debate. In this influential volume, Peter Brooker presents some of the key viewpoints from a variety of major critics and sets these additionally alongside challenging arguments from Third World, Black and Feminist perspectives. His excellent Introduction and detailed headnotes for each section and essay provide an indispensable guide to interpreting the many different opinions, and prove to be valuable contributions in their own right. |
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Page 218
... Stephanson : Yet , the black American condition , so to speak , is not an uplifting sight at the moment . West : Not at all . There is increasing class division and differentiation , creating on the one hand a significant black middle ...
... Stephanson : Yet , the black American condition , so to speak , is not an uplifting sight at the moment . West : Not at all . There is increasing class division and differentiation , creating on the one hand a significant black middle ...
Page 221
... Stephanson : Miles Davis is the central figure of that avant - garde story . West : And he crossed over with the seminal record Bitches Brew in 1970 , accenting his jazz origins while borrowing from James Brown's polyrhythms and Sly ...
... Stephanson : Miles Davis is the central figure of that avant - garde story . West : And he crossed over with the seminal record Bitches Brew in 1970 , accenting his jazz origins while borrowing from James Brown's polyrhythms and Sly ...
Page 222
... Stephanson : Music is the black means of cultural expression , is it not ? West : Music and preaching . Here , rap is unique because it combines the black preacher and the black music tradition , replacing the liturgical ...
... Stephanson : Music is the black means of cultural expression , is it not ? West : Music and preaching . Here , rap is unique because it combines the black preacher and the black music tradition , replacing the liturgical ...
Contents
Reconstructions | 1 |
Modernist Positions | 37 |
WALTER BENJAMIN from The Work of Art in the Age | 45 |
Copyright | |
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Adorno aesthetic American artistic autonomous avant-garde avant-gardiste become Benjamin bourgeois Brecht CALIFORNIA/SANTA CRUZ capital classical concept consciousness contemporary criticism critique CRUZ The University cultural debate deconstruction dialectical discourse dominant Eliot Enlightenment essay example experience fact feminism feminist fiction film Fredric Jameson Georg Lukács Habermas Hassan Hegel historical avant-garde movements historiographic metafiction hyperreal ideological institution intellectual kind language Le Corbusier Linda Hutcheon literary literature London longer Lukács Lyotard Ma Rainey Marxism mass means metropolis modern art modernist narrative neoconservative novel parody past pastiche perspective philosophy political pop music popular position postmodernism postmodernist poststructuralism present production question radical Raymond Williams realism reality relation representation Routledge Salman Rushdie sense simulation social society Stephanson style T.S. Eliot theory tradition trans twentieth century UNIVERSITY OF CALIFORNIA/SANTA University Press urban Verso Walter Benjamin West women writing York