Characteristics of Women: Moral, Poetical, and Historical |
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... INTELLECT . 39 BEATRICE 64 ROSALIND CHARACTERS OF PASSION AND IMAGINATION . HERMIONE DESDEMONA . 95 VIOLA 124 OPHELIA 140 MIRANDA CHARACTERS OF THE AFFECTIONS . 180 198 IMOGEN CORDELIA PAGE I 638 78 87 147 153 170 210 233 HISTORICAL ...
... INTELLECT . 39 BEATRICE 64 ROSALIND CHARACTERS OF PASSION AND IMAGINATION . HERMIONE DESDEMONA . 95 VIOLA 124 OPHELIA 140 MIRANDA CHARACTERS OF THE AFFECTIONS . 180 198 IMOGEN CORDELIA PAGE I 638 78 87 147 153 170 210 233 HISTORICAL ...
Page 16
... intellect , her subtlety , her courage , and her cruelty - what is she , compared to Richard III . ? ALDA . I will tell you what she is - she is a woman . Place Lady Macbeth in comparison with Richard III . and you see at once the ...
... intellect , her subtlety , her courage , and her cruelty - what is she , compared to Richard III . ? ALDA . I will tell you what she is - she is a woman . Place Lady Macbeth in comparison with Richard III . and you see at once the ...
Page 21
... intellect . They are all , in the first place , affectionate , thinking beings , and moral agents ; and then witty as if by accident , or , as the Duchesse de Chaulnes said of herself , " par la grâce de Dieu . " As to humour , it is ...
... intellect . They are all , in the first place , affectionate , thinking beings , and moral agents ; and then witty as if by accident , or , as the Duchesse de Chaulnes said of herself , " par la grâce de Dieu . " As to humour , it is ...
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... Intellect . " Do you call Portia intellectual , and Hermione and Constance not so ? ALDA . I know that Schlegel has said that it is impossible * See Foster's Essay on the application of the word romantic.- Essays , vol . i . to arrange ...
... Intellect . " Do you call Portia intellectual , and Hermione and Constance not so ? ALDA . I know that Schlegel has said that it is impossible * See Foster's Essay on the application of the word romantic.- Essays , vol . i . to arrange ...
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... intellect and wit predominate ; characters in which passion and fancy predominate ; and characters in which the moral sentiments and affections predominate . The historical characters I have considered apart , as requiring a different ...
... intellect and wit predominate ; characters in which passion and fancy predominate ; and characters in which the moral sentiments and affections predominate . The historical characters I have considered apart , as requiring a different ...
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admirable affection ALDA Antigone Antony Beatrice beauty Benedick Bretagne Cæsar Camiola character charm CLEOPATRA colours Constance Cordelia Coriolanus CYMBELINE daughter death delicacy delineation Desdemona dignity dramatic Edition Elinor eloquence exquisite eyes fancy father Fcap fear feeling female feminine fond gentle grace grief Hamlet hath heart heaven Helena Hermione heroine honour horror husband Iago Illustrations imagination Imogen impression innocence intellect Isabella Juliet Katherine king Lady Macbeth Lear Leontes lord lover madam Madame de Staël marriage MEDON mind Miranda moral mother nature never noble Octavia once Ophelia Othello passion pathos Perdita pity placed play Plutarch poetical poetry Portia portrait Post 8vo Posthumus pride queen racter Romeo Romeo and Juliet Rosalind Roussillon scene scorn sense sentiment Shakspeare Shakspeare's Shylock simplicity soul speak spirit story sweet temper tenderness thee things thou thought tragedy truth vex'd Viola virtue vols VOLUMNIA whole wife woman women words