Heresy and the Ideal: On Contemporary PoetryHeresy and the Ideal is a powerful collection of essays and essay-reviews which David Baker wrote and published throughout the 1990s. He thoroughly discusses the work of more than fifty contemporary poets, including T. R. Hummer, Miller Williams, Albert Goldbarth, Jane Kenyon, Galway Kinnell, Charles Simic, Ted Kooser, David Wojahn, Alice Fulton, Louise Glück, and Charles Wright. He takes as his models some of the great critical books of the past three decades, especially Richard Howard's masterpiece, Alone with America, and Helen Vendler's Part of Nature, Part of Us, as well as other works by Laurence Lieberman, Majorie Perloff, Carol Muske, and Mary Kinzie. At its center, Heresy and the Ideal is based on Baker's sense of Romantic poetics, especially on how contemporary poets have applied, altered, or rejected certain Romantic principles. He uses the Romantic trope to measure the tension between passion and reason and between the problems of literary transcendence and the obligations of social engagement. The result is a welcome variety of enlightening, practical criticism devoid of exclusionary jargon and based on persistent attention to an individual poem or book of poems. Utilizing the essay-review, Baker considers each poet's purposes and achievements. He blends the strategies of explanation, analysis, and evaluation, clarifying each poet's work instead of complaining or condemning. Heresy and the Ideal addresses a wide and diverse range of contemporary poetry and should take a deserved place both as a critical introduction to the work of many important poets and as a work that documents and explores the shape of poetry at the end of the millennium. |
From inside the book
Results 1-5 of 35
Page xx
... feels , at least in part , assigned that it reflects a wide and diverse reading in contemporary poetry , as books have come to me by invitation or commission . Many of the fol- lowing pieces are constructed as that hybrid form , the ...
... feels , at least in part , assigned that it reflects a wide and diverse reading in contemporary poetry , as books have come to me by invitation or commission . Many of the fol- lowing pieces are constructed as that hybrid form , the ...
Page 22
... feels neither envy nor desire : “ I know I have missed my chance , they are beyond me , / Too far gone for any word / I could shout ever to bring them down . " Instead , he regards their heightened , impossible status not so much in ...
... feels neither envy nor desire : “ I know I have missed my chance , they are beyond me , / Too far gone for any word / I could shout ever to bring them down . " Instead , he regards their heightened , impossible status not so much in ...
Page 23
... feels in the world is not in the world // But in the dust inside his head . ” His doctor's report of an infected inner ear leads the main character into understanding a sudden , whirling cacophony of other mis- steps and ...
... feels in the world is not in the world // But in the dust inside his head . ” His doctor's report of an infected inner ear leads the main character into understanding a sudden , whirling cacophony of other mis- steps and ...
Page 29
... feels post - apocalyptic , with a touch of propaganda amidst the gritty , realistic details . The strength of these poems is their passion . But they are sometimes opaque as well , held static , as Hummer's convictions are unrelieved by ...
... feels post - apocalyptic , with a touch of propaganda amidst the gritty , realistic details . The strength of these poems is their passion . But they are sometimes opaque as well , held static , as Hummer's convictions are unrelieved by ...
Page 30
... feel for how the voice Echoes ? How echo here means motion in space and time ? It travels the way a lover's mumbled word crawls . . . . The theory is , such motion is transcendence and thus salvation . That's how it is with voices . The ...
... feel for how the voice Echoes ? How echo here means motion in space and time ? It travels the way a lover's mumbled word crawls . . . . The theory is , such motion is transcendence and thus salvation . That's how it is with voices . The ...
Contents
3 | |
On Albert Goldbarth Jane Kenyon LiYoung Lee | 61 |
The Push of Reading | 79 |
Framed in Words | 99 |
Smarts | 119 |
On Eric Pankey Louise Glück Linda Bierds | 137 |
Plainness and Sufficiency | 149 |
Line by Line | 169 |
On Restraint | 205 |
Romantic Melancholy Romantic Excess | 221 |
StillHildreth Sanatorium 1936 | 277 |
INDEX | 287 |
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Common terms and phrases
aesthetic Albert Goldbarth Alice Fulton American Angelic Orders articulate becomes body Boland book of poems book's Charles Simic clarity connection contemporary poetry Coulette critical cultural David Wojahn dead death deep image desire Diane di Prima dramatic Eavan Boland erasure erotic experience Falling Hour figure final formal Glück Goldbarth grace Hell Henri Coulette Heresy Hummer's Ideal imagery imagination impulse Jane Kenyon Jorie Graham kind Kinnell Kooser language lines literary lives loss Louise Glück lover lyric MacNeice means memory Merwin's method Miller Williams mother mystery Naked poets narrative nature night Olds's Pankey passion past poem's poet's poetic political provides rhetorical rhyme Romantic Romanticism seems sense social song sonnet speaker spiritual stance stanzas story strategy syntax T. R. Hummer technique things tion transcendence transcendental trope turns vision voice Whitman Williams's Wojahn woman words Wright writes