Heresy and the Ideal: On Contemporary PoetryHeresy and the Ideal is a powerful collection of essays and essay-reviews which David Baker wrote and published throughout the 1990s. He thoroughly discusses the work of more than fifty contemporary poets, including T. R. Hummer, Miller Williams, Albert Goldbarth, Jane Kenyon, Galway Kinnell, Charles Simic, Ted Kooser, David Wojahn, Alice Fulton, Louise Glück, and Charles Wright. He takes as his models some of the great critical books of the past three decades, especially Richard Howard's masterpiece, Alone with America, and Helen Vendler's Part of Nature, Part of Us, as well as other works by Laurence Lieberman, Majorie Perloff, Carol Muske, and Mary Kinzie. At its center, Heresy and the Ideal is based on Baker's sense of Romantic poetics, especially on how contemporary poets have applied, altered, or rejected certain Romantic principles. He uses the Romantic trope to measure the tension between passion and reason and between the problems of literary transcendence and the obligations of social engagement. The result is a welcome variety of enlightening, practical criticism devoid of exclusionary jargon and based on persistent attention to an individual poem or book of poems. Utilizing the essay-review, Baker considers each poet's purposes and achievements. He blends the strategies of explanation, analysis, and evaluation, clarifying each poet's work instead of complaining or condemning. Heresy and the Ideal addresses a wide and diverse range of contemporary poetry and should take a deserved place both as a critical introduction to the work of many important poets and as a work that documents and explores the shape of poetry at the end of the millennium. |
From inside the book
Results 1-5 of 46
Page 9
... body of his poetry : the solitary lover - speaker is compelled , and condemned , to watch other real lovers from afar , his passion borrowed , his pleasure a usurpation . Overlooking passion becomes his primary form of cognition ...
... body of his poetry : the solitary lover - speaker is compelled , and condemned , to watch other real lovers from afar , his passion borrowed , his pleasure a usurpation . Overlooking passion becomes his primary form of cognition ...
Page 17
... body . " Yet he is older , and the scene is rendered with more acute distress , than anywhere in the prior volume . In an act of self - citation his speaker yearns " to see past passion , past circumstance . " These poems show a further ...
... body . " Yet he is older , and the scene is rendered with more acute distress , than anywhere in the prior volume . In an act of self - citation his speaker yearns " to see past passion , past circumstance . " These poems show a further ...
Page 23
... body . That is his Romantic heresy . He faces , as he writes in " The Moon and Constellations , " " the one great law of the physi- cal , / The body , which appropriates everything . " With an acceptance of the bodily comes a more ...
... body . That is his Romantic heresy . He faces , as he writes in " The Moon and Constellations , " " the one great law of the physi- cal , / The body , which appropriates everything . " With an acceptance of the bodily comes a more ...
Page 27
... body , " which appropriates everything . ” The substantial weight of that body , the burden of the real , increases manyfold in Hummer's two latest books . In some ways his 1990 volume , The 18,000- Ton Olympic Dream , is his most ...
... body , " which appropriates everything . ” The substantial weight of that body , the burden of the real , increases manyfold in Hummer's two latest books . In some ways his 1990 volume , The 18,000- Ton Olympic Dream , is his most ...
Page 31
... body , revealed , reveals . History , mythology , Biology , the art of the family Suspend as the man and woman move together . And that might be all , that might be the end of the If the voice chose to let you forget The truth : that ...
... body , revealed , reveals . History , mythology , Biology , the art of the family Suspend as the man and woman move together . And that might be all , that might be the end of the If the voice chose to let you forget The truth : that ...
Contents
3 | |
On Albert Goldbarth Jane Kenyon LiYoung Lee | 61 |
The Push of Reading | 79 |
Framed in Words | 99 |
Smarts | 119 |
On Eric Pankey Louise Glück Linda Bierds | 137 |
Plainness and Sufficiency | 149 |
Line by Line | 169 |
On Restraint | 205 |
Romantic Melancholy Romantic Excess | 221 |
StillHildreth Sanatorium 1936 | 277 |
INDEX | 287 |
Other editions - View all
Common terms and phrases
aesthetic Albert Goldbarth Alice Fulton American Angelic Orders articulate becomes body Boland book of poems book's Charles Simic clarity connection contemporary poetry Coulette critical cultural David Wojahn dead death deep image desire Diane di Prima dramatic Eavan Boland erasure erotic experience Falling Hour figure final formal Glück Goldbarth grace Hell Henri Coulette Heresy Hummer's Ideal imagery imagination impulse Jane Kenyon Jorie Graham kind Kinnell Kooser language lines literary lives loss Louise Glück lover lyric MacNeice means memory Merwin's method Miller Williams mother mystery Naked poets narrative nature night Olds's Pankey passion past poem's poet's poetic political provides rhetorical rhyme Romantic Romanticism seems sense social song sonnet speaker spiritual stance stanzas story strategy syntax T. R. Hummer technique things tion transcendence transcendental trope turns vision voice Whitman Williams's Wojahn woman words Wright writes