Bulletin (Östasiatiska Samlingarna (Stockholm, Sweden))"Bibliography of publications based upon collections made with the support of the Swedish China research committee, by Fr. E. Åhlander": Bulletin no. 1, p. 185-191. |
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Page 54
The professional painter Sheng Mao of the Yuan dynasty also exerted a deep influence on this style . " ) Characteristic of this new style is a vigorous and nervous , almost jagged , brushwork , and an extensive use of ink washes with ...
The professional painter Sheng Mao of the Yuan dynasty also exerted a deep influence on this style . " ) Characteristic of this new style is a vigorous and nervous , almost jagged , brushwork , and an extensive use of ink washes with ...
Page 78
This academic style , following the Li - Liu tradition , must be seen as a transitional style to the Wuschool . * ) Zhou Chen and Tang Yin are said to belong to the Zhao - Li - Liu tradition of the Southern Song , but Zhou Chen's ...
This academic style , following the Li - Liu tradition , must be seen as a transitional style to the Wuschool . * ) Zhou Chen and Tang Yin are said to belong to the Zhao - Li - Liu tradition of the Southern Song , but Zhou Chen's ...
Page 84
Cahill may have a point there , but is it merely by chance that he has chosen the cool and meticulous style ... And he seems mostly to have limited himself to Song courtly styles from before the flourishing of the Ma - Xia school and to ...
Cahill may have a point there , but is it merely by chance that he has chosen the cool and meticulous style ... And he seems mostly to have limited himself to Song courtly styles from before the flourishing of the Ma - Xia school and to ...
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Bibliographic information
| Title | Bulletin (Östasiatiska Samlingarna (Stockholm, Sweden)) Issue 54 of Bulletin, Östasiatiska museet |
| Author | Östasiatiska museet |
| Publisher | The Museum, 1960 |
| Original from | the University of California |
| Digitized | 4 Dec 2017 |
| Export Citation | BiBTeX EndNote RefMan |