Bulletin"Bibliography of publications based upon collections made with the support of the Swedish China research committee, by Fr. E. Åhlander": Bulletin no. 1, p. 185-191. |
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Page 51
The history of this painting after Northern Song is not well documented , but
several forgeries were probably in circulation.28 ) The Qing collector Liang
Zhangju , who had in his possession what he believed to be the original , wrote : "
Wading ...
The history of this painting after Northern Song is not well documented , but
several forgeries were probably in circulation.28 ) The Qing collector Liang
Zhangju , who had in his possession what he believed to be the original , wrote : "
Wading ...
Page 52
His painting , however , still manifests a deep respect for the original : He moved
his brush more lightly and carefully than was his custom , lifting it from the paper
at short intervals . The short strokes correspond to Zhao Gan's brushwork — it is ...
His painting , however , still manifests a deep respect for the original : He moved
his brush more lightly and carefully than was his custom , lifting it from the paper
at short intervals . The short strokes correspond to Zhao Gan's brushwork — it is ...
Page 122
Before it came into the imperial collections of the Qing dynasty , it had been
remounted in a very deleterious way : The paper of the original painting had
been divided into two layers , and both layers had then been remounted , i.e. a so
- called ...
Before it came into the imperial collections of the Qing dynasty , it had been
remounted in a very deleterious way : The paper of the original painting had
been divided into two layers , and both layers had then been remounted , i.e. a so
- called ...
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