Bulletin"Bibliography of publications based upon collections made with the support of the Swedish China research committee, by Fr. E. Åhlander": Bulletin no. 1, p. 185-191. |
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Page 62
When Zhou Chen did this painting , he was faced with the task of rendering a
landscape of very complex topography , full of ... ( 4 ) FIGURE PAINTINGS While
the literati painters of early and middle Ming paid little attention to figure painting ,
it ...
When Zhou Chen did this painting , he was faced with the task of rendering a
landscape of very complex topography , full of ... ( 4 ) FIGURE PAINTINGS While
the literati painters of early and middle Ming paid little attention to figure painting ,
it ...
Page 63
Zhou Chen's only dated figure painting — “ Beggars and Street Characters ” ( pls
. 33–44 ) — is from 1516. ... Originally , it was mounted as double album - leaves ,
each album - leaf forming an entity of two contraposed figures . The figures are ...
Zhou Chen's only dated figure painting — “ Beggars and Street Characters ” ( pls
. 33–44 ) — is from 1516. ... Originally , it was mounted as double album - leaves ,
each album - leaf forming an entity of two contraposed figures . The figures are ...
Page 64
The figure of the immortal and his toad almost fills the picture plane , so that a
strong tension is created between the curves ... This type of figure painting was
practiced by both professional and literati painters during middle Ming , and in
some ...
The figure of the immortal and his toad almost fills the picture plane , so that a
strong tension is created between the curves ... This type of figure painting was
practiced by both professional and literati painters during middle Ming , and in
some ...
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