Bulletin"Bibliography of publications based upon collections made with the support of the Swedish China research committee, by Fr. E. Åhlander": Bulletin no. 1, p. 185-191. |
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Page 61
The composition of this picture is more complex than is common in Zhou Chen's oeuvre , but despite the many elements of the composition , it still has structural clarity . The mountain range in the middle , organized in a longmopattern ...
The composition of this picture is more complex than is common in Zhou Chen's oeuvre , but despite the many elements of the composition , it still has structural clarity . The mountain range in the middle , organized in a longmopattern ...
Page 94
The “ arriving guest " motif is far less common , while we find representations of “ lucid talk ” much more often . Even departure scenes are more common than in Zhou's art . Only the motif of “ listening ” has more or less the same ...
The “ arriving guest " motif is far less common , while we find representations of “ lucid talk ” much more often . Even departure scenes are more common than in Zhou's art . Only the motif of “ listening ” has more or less the same ...
Page 148
Common for lüshi and gushi is that all strophes in a poem are of the same length - either 5 or 7 characters . The shi poetry reached its peak of development during the Tang dynasty . 36 ) Chu - tsing Li , " The Development of Painting ...
Common for lüshi and gushi is that all strophes in a poem are of the same length - either 5 or 7 characters . The shi poetry reached its peak of development during the Tang dynasty . 36 ) Chu - tsing Li , " The Development of Painting ...
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Academy album ANGELES artists Autumn brushwork called century Chang character Chen's China Chinese clearly cliff close Coll collection colophone colours Comments composition copy dated depicted discussion Dongcun Zhou Chen dragon dynasty early emperor famous figure figure painting folding fan garden hanging scroll important influenced inscription interest lack landscape late later light lines Listening literati literati painting lower manner masters mentioned Ming mode motif Mountain Museum officials original painters Palace Pavilion period Pines Plate poem probably professional Qiu Ying Quoted rain recorded River says scholar Seal seems Shang Shen shows shuhua Signature similar Song Spring square strokes structure style Suzhou Taipei Tang Yin tradition trees Wang Xian Xiang Yuan Zhang Zhao Zhengming Zhou Chen Zhou's
Bibliographic information
| Title | Bulletin |
| Author | Östasiatiska museet |
| Publisher | The Museum, 1982 |
| Original from | the University of California |
| Digitized | 4 Dec 2017 |
| Export Citation | BiBTeX EndNote RefMan |