Bulletin"Bibliography of publications based upon collections made with the support of the Swedish China research committee, by Fr. E. Åhlander": Bulletin no. 1, p. 185-191. |
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Page 32
With the painter close at hand , he could also more easily influence the final
result . During the periods when he was playing the host , he would virtually have
a monopoly of the artist's production . Qiu Ying seems also to have worked for
Zhou ...
With the painter close at hand , he could also more easily influence the final
result . During the periods when he was playing the host , he would virtually have
a monopoly of the artist's production . Qiu Ying seems also to have worked for
Zhou ...
Page 38
Leading poets and artists lived here and were in close contact with each other ,
exchanging poems , writing inscriptions on each other ' paintings , etc. Much of
this material was later collected , edited and printed . But except for Tang Yin's ...
Leading poets and artists lived here and were in close contact with each other ,
exchanging poems , writing inscriptions on each other ' paintings , etc. Much of
this material was later collected , edited and printed . But except for Tang Yin's ...
Page 57
The brushwork is very close to Wu Wei and Zhang Lu — the strokes are coarse ,
the contours dark and heavy , with a conscious use of “ split - brush ” effects ( a
type of stroke otherwise very seldom found in Zhou Chen's oeuvre ) . Only in the ...
The brushwork is very close to Wu Wei and Zhang Lu — the strokes are coarse ,
the contours dark and heavy , with a conscious use of “ split - brush ” effects ( a
type of stroke otherwise very seldom found in Zhou Chen's oeuvre ) . Only in the ...
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Academy album artists Autumn brushwork called Chang character Chen's China Chinese clearly cliff close Coll collection colophone colours Comments composition copy dated depicted discussion Dongcun Zhou Chen dragon dynasty early emperor famous figure figure painting folding fan garden hanging scroll important influenced inscription interest lack landscape late later Leisurely light lines Listening literati painting lower manner masters mentioned middle Ming Ming mode motif Mountain Museum officials original painters Palace Pavilion peaks period Pines Plate poem probably professional Qiu Ying rain recorded relationship Reprod River says scholar Seal seems Shen shows shuhua Signature similar Song square Stream strokes structure style Suzhou Taipei Tang Yin tradition trees Wang Xiang Yuan Zhang Zhao Zhengming Zhou Chen Zhou's
Bibliographic information
| Title | Bulletin |
| Author | Östasiatiska museet |
| Publisher | The Museum, 1982 |
| Original from | the University of California |
| Digitized | 4 Dec 2017 |
| Export Citation | BiBTeX EndNote RefMan |