Bulletin"Bibliography of publications based upon collections made with the support of the Swedish China research committee, by Fr. E. Åhlander": Bulletin no. 1, p. 185-191. |
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Page 32
With the painter close at hand , he could also more easily influence the final
result . During the periods when he was playing the host , he would virtually have
a monopoly of the artist's production . Qiu Ying seems also to have worked for
Zhou ...
With the painter close at hand , he could also more easily influence the final
result . During the periods when he was playing the host , he would virtually have
a monopoly of the artist's production . Qiu Ying seems also to have worked for
Zhou ...
Page 38
Leading poets and artists lived here and were in close contact with each other ,
exchanging poems , writing inscriptions on each other ' paintings , etc. Much of
this material was later collected , edited and printed . But except for Tang Yin's ...
Leading poets and artists lived here and were in close contact with each other ,
exchanging poems , writing inscriptions on each other ' paintings , etc. Much of
this material was later collected , edited and printed . But except for Tang Yin's ...
Page 57
The brushwork is very close to Wu Wei and Zhang Lu — the strokes are coarse ,
the contours dark and heavy , with a conscious use of “ split - brush ” effects ( a
type of stroke otherwise very seldom found in Zhou Chen's oeuvre ) . Only in the ...
The brushwork is very close to Wu Wei and Zhang Lu — the strokes are coarse ,
the contours dark and heavy , with a conscious use of “ split - brush ” effects ( a
type of stroke otherwise very seldom found in Zhou Chen's oeuvre ) . Only in the ...
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