Archaeological Review from Cambridge, Volumes 8-9Department of Archaeology, 1989 - Archaeology |
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Page 106
... concept of space drawn from formal geometry ; topolog- ical , Euclidian and Cartesian concepts of three dimensional form and perspective . Yet this , again , is what Vygotskii ( 1986 [ 1934 ] ) criticised as an ' autistic ' view of ...
... concept of space drawn from formal geometry ; topolog- ical , Euclidian and Cartesian concepts of three dimensional form and perspective . Yet this , again , is what Vygotskii ( 1986 [ 1934 ] ) criticised as an ' autistic ' view of ...
Page 107
... concept of space perception . If I could look at the actual artefacts , I would not need any cross sectional drawings of them , because I could see them in three dimensions . The very capacity to see in three dimensions is a product of ...
... concept of space perception . If I could look at the actual artefacts , I would not need any cross sectional drawings of them , because I could see them in three dimensions . The very capacity to see in three dimensions is a product of ...
Page 109
... concept ' or idea has always tended to be reified and objectified in Western thought . However it may be argued that concepts are not Platonic universals but social constructs ( Bloom , 1986 ; Mead , 1934 ; Vygotskii , 1978 ; 1986 ...
... concept ' or idea has always tended to be reified and objectified in Western thought . However it may be argued that concepts are not Platonic universals but social constructs ( Bloom , 1986 ; Mead , 1934 ; Vygotskii , 1978 ; 1986 ...
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academic action activity analysis anthropology appears approach Archaeological Review archaeology argued argument artefacts aspects attempt become Cambridge century China Chinese concept concerned considered context critical culture discussion early East effect emotional evidence example excavation existence experience fact given groups human ideas important individual interest interpretation involved iron issues Japan Japanese knowledge language London Marxism material meaning Museum nature object observed organisation original particular past period perspective political possible practice prehistoric present Press problems production question reason recent References reflect regional relations relationship remains represent result Review Review from Cambridge role seems seen sense social society specific stone structure suggest technical techniques theoretical theory things tion tombs traditional types understanding University volume Western writing