Journal of the Kafka Society of America, Volumes 21-23The Society, 1999 |
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Page 44
... film . It is a different matter for the stage . You have directed several film adaptations for television ; what importance do they have for you ? Well , yes , it is simply that in film adaptations for television some privileged ...
... film . It is a different matter for the stage . You have directed several film adaptations for television ; what importance do they have for you ? Well , yes , it is simply that in film adaptations for television some privileged ...
Page 45
... film , where everything is concrete and almost tangible . There it cannot work . Though film is so strongly iconic , nonetheless the viewer's imagination is exercised between the images and shots . Yes , in between , exactly . Certainly ...
... film , where everything is concrete and almost tangible . There it cannot work . Though film is so strongly iconic , nonetheless the viewer's imagination is exercised between the images and shots . Yes , in between , exactly . Certainly ...
Page 46
... film itself lacks . It is an absolutely dishonest means , but of course a good many films are saved by such music . Whenever I put in music into a film , it is part of the contents , it is diegetic . For example , a radio turned on ...
... film itself lacks . It is an absolutely dishonest means , but of course a good many films are saved by such music . Whenever I put in music into a film , it is part of the contents , it is diegetic . For example , a radio turned on ...
Contents
JOURNAL | 3 |
Der neue Advokat 1982 | 13 |
Reading the Sirens Gestures Kafka Between Silent Film | 27 |
Copyright | |
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