Journal of the Kafka Society of America, Volumes 21-23The Society, 1999 |
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Page 42
... course , every serious filmmaker has had to face this matter . It is certainly not my invention , a number of filmmakers have tried this as well , either by using black film or by some other means . What I have in mind is the ...
... course , every serious filmmaker has had to face this matter . It is certainly not my invention , a number of filmmakers have tried this as well , either by using black film or by some other means . What I have in mind is the ...
Page 43
... course , numerous discussions with my team , that is , with people responsible for costumes and production design , for example . But I have learned to do without detailed discussions with the cast . Except perhaps with children who ...
... course , numerous discussions with my team , that is , with people responsible for costumes and production design , for example . But I have learned to do without detailed discussions with the cast . Except perhaps with children who ...
Page 60
... course , will never be reached : we can even understand " the Castle " as merely a name for what by definition goes beyond the village's experience . In seeking the Castle , then , K. seeks not just a place beyond the territory of the ...
... course , will never be reached : we can even understand " the Castle " as merely a name for what by definition goes beyond the village's experience . In seeking the Castle , then , K. seeks not just a place beyond the territory of the ...
Contents
JOURNAL | 3 |
Der neue Advokat 1982 | 13 |
Reading the Sirens Gestures Kafka Between Silent Film | 27 |
Copyright | |
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