Till in the end, the Day of Days, How Jenny's clock ticks on the shelf, Yet as to me, even so to her Fair shines the gilded aureole In which our highest painters place Some living woman's simple face. And the stilled features thus descried As Jenny's long throat droops aside, The shadows where the cheeks are thin, And pure wide curve from ear to chin, With Raffael's, Leonardo's hand To show them to men's souls, might stand, Whole ages long, the whole world through, For preachings of what God can do. What has man done here? How atone, Great God, for this which man has done? And for the body and soul which by Man's pitiless doom must now comply With lifelong hell, what lullaby Of sweet forgetful second birth Remains? All dark. No sign on earth What measure of God's rest endows The many mansions of his house. If but a woman's heart might see Such erring heart unerringly Like a rose shut in a book To crush the flower within the soul; Where through each dead rose-leaf that clings, Pale as transparent psyche-wings, To the vile text, are traced such things As might make lady's cheek indeed More than a living rose to read; So nought save foolish foulness may Watch with hard eyes the sure decay; And so the life-blood of this rose, Puddled with shameful knowledge, flows Through leaves no chaste hand may unclose; Yet still it keeps such faded show 220 230 240 Of when 'twas gathered long ago, Only that this can never be: Yet, Jenny, looking long at you, The woman almost fades from view. A cipher of man's changeless sum Of lust, past, present, and to come Is left. A riddle that one shrinks To challenge from the scornful sphinx. Like a toad within a stone Seated while Time crumbles on; Which sits there since the earth was curs'd For Man's transgression at the first; Not once has seen the sun arise; Whose life, to its cold circle charmed, The earth's whole summers have not warmed; Which always — whitherso the stone Be flung sits there, deaf, blind, alone; Aye, and shall not be driven out 270 280 290 260 |