Elements of Criticism: In Three Volumes. ...A. Millar, London; and A. Kincaid & J. Bell, Edinburgh, 1762 - Criticism |
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... considered abstractly , will not alone enable an artift to make a juft reprefentation of nature . He ought , over and above , to be acquainted with the various appearances of the fame paffion in diffe- rent perfons . Paffions , it is ...
... considered abstractly , will not alone enable an artift to make a juft reprefentation of nature . He ought , over and above , to be acquainted with the various appearances of the fame paffion in diffe- rent perfons . Paffions , it is ...
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action againſt agreeable alfo appears arifing arts beauty becauſe betwixt Cæfar cafe caufe cauſe chap cife circumftance colour confiderable connected courfe cuſtom defcription defire degree difagreeable diftinguiſhed diftrefs dignity diſcover effect elevation emotions and paffions expreffed expreffion external figns faid fame fcarce feeling feems fenfe fenfible fentiments fhall fhould fight fimilar fingle fingular fion firft firſt focial fome fometimes fpecies fpectator ftill ftrong fubject fublime fucceffion fuch fufficient fure furpriſe fwells grandeur gratification habit happineſs hath himſelf Hudibras human impreffion increaſe inftances itſelf jects lefs means meaſure mind moft moſt motion mufic muft muſt myſelf nature neceffary obfcure obfervation object occafion oppofite Othello paffage pain perceptions perfon pleaſant emotion pleaſure prefent produce produceth propriety puniſhment purpoſes raifed raiſed reafon refemblance reflection reliſh ridicule Shakeſpear ſhall ſtill tafte taſte thefe theſe thing thofe thoſe thou tion uſe variety