Et ton jaloux orgueil par cet affront infigne, Thefe fentiments are certainly not what occur to the mind in the first movements of the paffion. In the same manner as in refentment, the first movements of grief are always directed upon its object. Yet with relation to the fudden and fevere diftemper that feized Alexander bathing in the river Cydnus, Quintus Curtius describes the first emotions of the army as directed upon themselves, lamenting that they were left without a leader far from home, and had scarce any hopes of returning in fafety. Their King's diftrefs, which must naturally have been their first concern, occupies them but in the second place, according to that author In the Aminta of Taffo, Sylvia, upon a report of her lover's death, which the believed certain, inftead of bemoaning the lofs of a beloved objec, turns her thoughts upon herself; and wonders her heart does not break. Ohime, ben fon di faffo, Poi che questa novella non m' uccide. Act 4. fc. 2:. In the tragedy of Jane Shore, Alicia, in the fulk purpose of deftroying her rival has the following: reflection: Oh Jealoufy thou bane of pleafing friendship, And And turn our gentle natures into bitterness? See where the comes! Once my heart's dearest bleffing, Now my chang'd eyes are blafted with her beauty, Loathe that known face, and ficken to behold her. Act 3. fc. 1. These are the reflections of a cool fpectator. A paffion while it has the afcendant, and is freely indulged, fuggefts not to the man who feels it any fentiment to its own prejudice. Reflections like the foregoing, occur not to him readily till the paffion hath spent its vigor. A perfon fometimes is agitated at once by different paffions. The mind in this cafe vibrating like a pendulum, vents itself in fentiments which partake of the fame vibration. This I give as a third obfervation: Queen. 'Would I had never trod this English earth,, Or felt the flatteries that grow upon it! Ye've angels faces, but Heav'n knows your hearts.. Alas! poor wenches, where are now your fortunes? Henry VIII. act 3. fc. 1. Othello. Oh devil, devil! If that the earth could teem with woman's tears, Desdemona. I will not stay t' offend you. [going. I do beseech your Lordship, call her back.. Oth. Oth. What would you with her, Sir? Oth. Ay; you did with that I would make her turn: I'll fend for you anon-Sir, I obey the mandate, And will return to Venice... Hence, avaunt! [Exit Defdemona.. Othello, act 4. fc. 6. Emilia. Oh my good Lord, I would speak a word with you... Othello. Yes, 'tis Emilia- by and by-fhe's dead 'Tis like, the comes to speak of Caffio's death; The noise was high. Ha, no more moving? Still as the grave. Shall the come in? wer't good? I think the ftirs again-No-what's the best? If the comes in, fhe'll, fure, fpeak to my wife; My wife! my wife! What wife? I have no wife.. Oh insupportable! oh heavy hour! Othello, act 5. fc. 7.. A fourth obfervation is, that nature, which gave us paffions, and made them extremely beneficial when moderate, intended undoubtedly that they fhould be fubjected to the government of reafon and confcience*. It is therefore against the order of nature, that paffion in any case should take the lead in contradiction to reason and confcience. Such a state of mind is a fort of anarchy, which every one is afhamed of, and endeavours to hide or diffemble.. Even love, however laudable, is attended with a confcious fhame when it becomes immoderate: it *See chap. 2. part 7. is is covered from the world, and disclosed only to the beloved object: Et que l'amour fouvent de remors combattu Boileau, L'art poet. chant. 3. l. 101. O, they love least that let men know their love.. Two Gentlemen of Verona, act. 1. fc. 3.. Hence a capital rule in the reprefentation of strong. paffions, that their genuine fentiments ought to be hid or diffembled as much as poffible. And this holds in an especial manner with respect to criminal paffions. One never counfels the commiffion of a crime in plain terms. Guilt must not appear in its native colours, even in thought: the propofal must be made by hints, and by reprefenting the action in fome favourable light. Of the propriety of fentiment upon fuch an occafion, Shakespear, in the Tempeft, has given us a beautiful example. The fubject is a propofal made by the ufurping Duke of Milan to Sebastian, to murder his brother the King of Naples. Antonio What might Worthy Sebastian-O, what might And yet methinks, I fee it in thy face, no more. What thou should'ft be: th' occasion speaks thee, and My strong imagination fees a crown Dropping upon thy head: Act 2. fc. I. There cannot be a finer picture of this fort, than that of King John foliciting Hubert to murder the young Prince Arthur. K. John. Come hither, Hubert. O my gentle We owe thee much; within this wall of flesh And And with advantage means to pay thy love. But thou shalt have and creep time ne'er fo flow, The fun is in the heav'n, and the proud day, Had bak'd thy blood and made it heavy-thick, Or if that thou could'it fee me without eyes, But ah, I will not Yet I love thee well; And, by my troth, I think thou lov'ft me well. K. John. |