Proceedings of the British Academy, Volume 17British Academy - Humanities |
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Page 147
... Shakespeare's art ; indeed , it is , I think , his most individual way of expressing his imaginative vision . It is ... Shakespeare himself looked at it . Thus in Romeo and Juliet the beauty and ardour of young love is seen by ...
... Shakespeare's art ; indeed , it is , I think , his most individual way of expressing his imaginative vision . It is ... Shakespeare himself looked at it . Thus in Romeo and Juliet the beauty and ardour of young love is seen by ...
Page 149
... Shakespeare's art and its development . I embarked on this task of collecting and classifying the images , because it seemed to me that it might provide a new method of approach to Shakespeare , and I believe I have , by a happy fortune ...
... Shakespeare's art and its development . I embarked on this task of collecting and classifying the images , because it seemed to me that it might provide a new method of approach to Shakespeare , and I believe I have , by a happy fortune ...
Page 162
... Shakespeare's , the second is from Henry VI , part ii , a play continuously doubted by critics of every kind , and of which Fleay said that Shakespeare probably never wrote a line . Personally , I believe that if Fleay had looked a ...
... Shakespeare's , the second is from Henry VI , part ii , a play continuously doubted by critics of every kind , and of which Fleay said that Shakespeare probably never wrote a line . Personally , I believe that if Fleay had looked a ...
Contents
VERGILS CREATIVE ART Annual Lecture on Aspects of Art | 14 |
VIRGIL IN ITALIAN POETRY Annual Italian Lecture By Edmund | 28 |
CARDINAL POLES MANUSCRIPTS By E Lobel Communicated | 97 |
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