Bulletin (Östasiatiska Samlingarna (Stockholm, Sweden))"Bibliography of publications based upon collections made with the support of the Swedish China research committee, by Fr. E. Åhlander": Bulletin no. 1, p. 185-191. |
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Page 182
It is , however , striking that the use of portraits ( effegies and paintings ) of eminent monks , which since the Tang dynasty ( 618–907 ) were enshrined in the so - called “ patriarch halls ” ( zutang * ) or “ image halls ” ( vingtang ...
It is , however , striking that the use of portraits ( effegies and paintings ) of eminent monks , which since the Tang dynasty ( 618–907 ) were enshrined in the so - called “ patriarch halls ” ( zutang * ) or “ image halls ” ( vingtang ...
Page 197
In contrast to the close - fitting Mongol robes of the previous Yuan dynasty ( 1279–1368 ) , the Ming dresses became much wider and were to a large extent based on the styles of the earlier Chinese dynasties .
In contrast to the close - fitting Mongol robes of the previous Yuan dynasty ( 1279–1368 ) , the Ming dresses became much wider and were to a large extent based on the styles of the earlier Chinese dynasties .
Page 213
and the fall of the Ming Dynasty in 1644 , when people were rendered en face , and - judging from the Nanxundian portraits it became customary to show other pieces of furniture than the folding chair in the portraits .
and the fall of the Ming Dynasty in 1644 , when people were rendered en face , and - judging from the Nanxundian portraits it became customary to show other pieces of furniture than the folding chair in the portraits .
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abbreviated abstract According ancestral portraits animal animal image animal mask Anyang appears argali Beijing bird body bone bone inscriptions buffalo carried century chariot China Chinese cicada claws Collection deceased decorated deer depicted described devouring ding displayed divined Drawing dynasty earlier Early ears evidence example extension face feathers four funeral graph hall head Henan horns human hunt identified illustrated imagery inscriptions jade king known Lady Late Shang later limbs meaning Middle Ming Ming dynasty Museum offered official op.cit origin painted painter pattern Period person placed Press province Qing qingtongqi reference religious remains rendered representation represented rite ritual royal scholar seen Shang bronze significant silk similar species spirit spirit-tablet style symbol Taipei taotie term tiger tomb tradition University vessel Wenwu wife wild Xiaotun Yinxu Zhongguo Zhou