The Dynamics of Literary Response |
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Page 126
... turn denies all the world . Then , in the key line , “ And we are here , " the poet turns back to the girl . " We are here , " solidly , constantly , silently , as the seascape was in stanza one , and we are quite distinctly separate ...
... turn denies all the world . Then , in the key line , “ And we are here , " the poet turns back to the girl . " We are here , " solidly , constantly , silently , as the seascape was in stanza one , and we are quite distinctly separate ...
Page 175
... turn to the source . But what source ? That of the theatre . A re- turn to an inner ideal of the theatre , for it is in oneself that one discovers the deep and permanent foundations of theatre . Against such a self , Ionesco poises an ...
... turn to the source . But what source ? That of the theatre . A re- turn to an inner ideal of the theatre , for it is in oneself that one discovers the deep and permanent foundations of theatre . Against such a self , Ionesco poises an ...
Page 263
... turn from Johnson in 1765 to Maurice Morgann , a dozen years later , we turn the corner into truly Ro- mantic criticism of Shakespeare . Neo - classic critics like Johnson stressed our identification with the fictive character , but ...
... turn from Johnson in 1765 to Maurice Morgann , a dozen years later , we turn the corner into truly Ro- mantic criticism of Shakespeare . Neo - classic critics like Johnson stressed our identification with the fictive character , but ...
Contents
Literature as Transformation | 3 |
A Dictionary of Fantasy | 31 |
The Willing Suspension of Disbelief | 63 |
Copyright | |
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adult aesthetic affect aggressive anal anxiety Arnold associated audience become cathexis character child clash by night Conrad conscious deal defense disbelief displacement Dover Beach dream drive emotional example experience fantasy content fear feel Fellini fiction film formal Freud fusion give gratification haiku images intellectual introjection joke kind La Dolce Vita lady language literature loathly lady look maistrie manage Matthew Arnold meaning Mercutio mind moral mother myth mythic night Northrop Frye novel object oedipal oral Otto Fenichel passive pattern phallic phallus phrase play pleasure poem poet poetry primitive psychoanalytic psychological puzzling movies reader reading reality regression resonance response rhyme role seems Senryu sense sexual Sigmund Freud sound stanza story style suggests superego suspension of disbelief symbols Tale tasy theme things tion transformation uncon verbal Verloc Wife wish woman words writer York