The Dynamics of Literary Response |
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Page 94
... film to see if the right affect was indeed induced . It was not . On the basis of a study of the literature , an initial formulation was developed that the stimulus properties of a film could be defined by the consensus of a group of ...
... film to see if the right affect was indeed induced . It was not . On the basis of a study of the literature , an initial formulation was developed that the stimulus properties of a film could be defined by the consensus of a group of ...
Page 95
... film stimulus . It seems , then , that each notion is in part correct , i.e. , nei- ther can the film superimpose an affect on the subject nor can the subject remain entirely free of specific stimulus properties of the film . It is not ...
... film stimulus . It seems , then , that each notion is in part correct , i.e. , nei- ther can the film superimpose an affect on the subject nor can the subject remain entirely free of specific stimulus properties of the film . It is not ...
Page 164
... film . As Marshall McLuhan puts it : Fellini and Bergman pull the story line off the film and the re- sult is that you become much more profoundly involved in the film process . When you put a story line on a novel or a film , you're ...
... film . As Marshall McLuhan puts it : Fellini and Bergman pull the story line off the film and the re- sult is that you become much more profoundly involved in the film process . When you put a story line on a novel or a film , you're ...
Contents
Literature as Transformation | 3 |
A Dictionary of Fantasy | 31 |
The Willing Suspension of Disbelief | 63 |
Copyright | |
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accept adult affect anxiety associated audience become bring character child comes conscious critics deal defense describe displacement dream drive emotional example expect experience express fantasy fear feel film final formal Freud give given gratification images intellectual introjection involved joke kind language leads least less literary literature look manage meaning mind moral mother movie myth night novel object offers oral particular pattern perhaps person phallic phrase play pleasure poem poet poetry possible Press psychoanalytic psychological puzzling reader reading reality reason relation represent response scene seems sense separate sexual short simply sound stanza story structure style subjective suggests symbols Tale tell theme things thought tion transformation turn unconscious University whole wish woman writer York