The Dynamics of Literary Response |
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Page 54
... example , if the important attribute of the aim or object dis- placed onto is that it is the opposite of the thing displaced from , we would speak of reversal ( if the object takes the opposite form ) or reaction - formation ( if the ...
... example , if the important attribute of the aim or object dis- placed onto is that it is the opposite of the thing displaced from , we would speak of reversal ( if the object takes the opposite form ) or reaction - formation ( if the ...
Page 150
... example . Then , these " languages " defensively manage the content they have ex- pressed , just as the language of poetry does . In film , for example , when we introject a given shot , we absorb conscious and uncon- scious content ...
... example . Then , these " languages " defensively manage the content they have ex- pressed , just as the language of poetry does . In film , for example , when we introject a given shot , we absorb conscious and uncon- scious content ...
Page 237
... example , see a continuity in Fellini's work as he moves from his relatively realistic early films like Il Bidone to the later , quite sur- realistic ones like Juliet of the Spirits : all deal with the fear and desire of woman ...
... example , see a continuity in Fellini's work as he moves from his relatively realistic early films like Il Bidone to the later , quite sur- realistic ones like Juliet of the Spirits : all deal with the fear and desire of woman ...
Contents
Literature as Transformation | 3 |
A Dictionary of Fantasy | 31 |
The Willing Suspension of Disbelief | 63 |
Copyright | |
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accept adult affect anxiety associated audience become bring character child comes conscious critics deal defense describe displacement dream drive emotional example expect experience express fantasy fear feel film final formal Freud give given gratification images intellectual introjection involved joke kind language leads least less literary literature look manage meaning mind moral mother movie myth night novel object offers oral particular pattern perhaps person phallic phrase play pleasure poem poet poetry possible Press psychoanalytic psychological puzzling reader reading reality reason relation represent response scene seems sense separate sexual short simply sound stanza story structure style subjective suggests symbols Tale tell theme things thought tion transformation turn unconscious University whole wish woman writer York