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PREFACE TO THE FIRST VOLUME

IN this initial volume of a History of English Literature it has been sought to depict for readers of general culture rather than of special attainment the development of this literature through centuries of vicissitude, from the primitive period when it is almost synonymous with poetry to the period when, in every department, it begins to challenge a place among the great literatures of the world. The writer upon whom such a task devolves encounters the obstacles, on a first view mutually exclusive, of impenetrable obscurity and unmanageable light. Many passages in the record have perished, and the gaps thus cr. ated are ill supplied by speculation and conjecture. But, on the other hand, since the investigation of early English literature has employed the scholars of America, Germany, and France hardly less than those of Britain, it has become difficult to keep pace with the progress of actual discovery, or to survey the operations of so great a host of labourers in a field so extensive, much of whose service takes the form of contribution to periodical literature. The writer has done his utmost towards this end, and has received. invaluable assistance, yet he feels that his work would have better corresponded to his wish if various important accessions to the knowledge of his subject had not fallen under his observation too late to be turned to account.

One reflection has strongly impressed itself upon the writer's mind during the prosecution of his labours: that the study of the literary history of a nation will generally be profitable in proportion to the student's acquaintance with the history of the nation itself, including that of its institutions, political and social. In the case of a history of early literature treating, as in this instance, of a period anterior to the attainment of a fixed standard of language, some degree of philological information also is essential, comprising such subjects as dialectical variations, pronunciation, and prosody. To have enlarged upon this department of study would have defeated the design of this

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work as a popular history. It has therefore been intentionally kept in the background, and the reader is recommended to seek his information elsewhere. In this he will be assisted by a bibliography to be appended to a subsequent volume. History, including parallels with the literary movements of other nations, stands in a different category. A due infusion of the historical element adds warmth and colour to narrative, and is therefore accordant with the ideal of a popular history. Such an infusion has been attempted here as far as considerations of space and proportion have permi ted. Regard for the interests of the reader of the present day has also enforced an extensive modernisation of obsolete spelling. Objectors should remember that it is impossible to say what precise orthography an ancient author would have employed, and that in the majority of instances he would himself have followed no uniform rule.

It remains to offer the writer's special acknowledgments to Mr. Alfred W. Pollard, of the British Museum, for friendly and zealous aid, not merely in those branches of the subject in which he is a recognised authority, but throughout the entire course of the work; as also to Mr. A. H. Bullen and Mrs. Sydney Pawling for valuable assistance in the pictorial illustration which forms so important a feature of the undertaking.

RICHARD GARNETT.

TABLE OF CONTENTS

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THE LITERATURE OF SCOTLAND-THE BALLAD

Slow Progress of Scottish Literature-Thomas the Rhymer-John Barbour-The Bruce-
Barbour's Talent for Description-Huchown of the Awle Ryale-The Great Gest of Arthure

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